Quilt No.925NI - Nia Ikonomou

Nia Ikonomou
QLD Brisbane
Made in
GREECE Piraeus
1941 - 1970
This traditional Greek quilt has one side of deep pink satin and the other side of gold satin. It is machine quilted with a centre diamond in which are large butterfly patterns set within curvilinear and crescent shapes. The borderis 3 parallel lines. The padding is cotton wadding.
1940 x 1660mm

The quilt was made in Piraeus, Greece in the early 1960s by a quilt maker whose name is unknown. It was ordered by Nia's aunt, Aspasia Tziotis, and brought to Australia as a wedding gift for Nia and John when they were married in Brisbane in 1966. It is not used now.


"Nia's Paploma
This beautiful 'paploma' (quilt) was brought to Australia by Nia Ikonomou's aunt, Aspasia Tziotis, as a gift for Nia and John when they married in 1966 in Brisbane. It was a wedding gift from Nia's extended Yiannopoulos family. They specially ordered it from a 'paplomatas' (quiltmaker) in Piraeus, the busy port of Athens. They wanted a gift that 'would last, something to remember'. As for so many other Greek Australian families - finding someone to make a traditional Greek-style paploma in 1960's Australia was often quite a task.
When Nia was seven she left Piraeus, to come to Australia with her mother Veneria Xanthopoulos and brother Telemachos (Tim). Two years earlier, in 1951, Nia's father Zisimos (Simo), a shipwright's carpenter, had come to Sydney with the ship he was working on, and then made the decision to settle in Australia. Nia's younger brother Dimitri (Jim) was born here.
Nia has strong memories of the journey to Australia on the P&O ship 'Fairsea', converted from an old cargo ship, a common practice in those post-war years when Australia's immigration population numbers were at their peak. Indeed, Nia recalls that many people on board were headed for the Bonegilla migrant camp, near Albury NSW. But Nia was bound for Sydney where her father met the family and so began the daunting process of settling into a new land, with an unknown language and strange customs. It was particularly difficult for Veneria - she had left behind a large, closeknit family. 'I became Mum's friend, I had to learn English fast, so I could help her'. Nia's experiences are shared by second generation women from non-English-speaking backgrounds, all over Australia.
Considering its age and that it has travelled halfway around the world, Nia's paploma is in pristine condition. It remains as a loving tribute both from the country of her birth, and the country where she and husband John have made a good life for themselves. They have two children, Veneria (Veny) and Nicholas."
[Written by Lula Saunders, adapted from interview 6/9/00 for the National Quilt Register]

Nia Ikonomou and her quilt, 2000
Nia Ikonomou and her quilt, 2000
Nia (7) and Tim (3) with their mother Veneria Xanthopoulos Piraeus 1953
Nia (7) and Tim (3) with their mother Veneria Xanthopoulos Piraeus 1953

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
The Pioneer Women's Hut
The top is a wholecloth piece of twill type cotton and the backing is a wholecloth piece of finer patterned cotton. The padding is a layer of pieces of used clothing stitched together, including part jumpers, some darned. These are inside an old folded blanket.
1540 x 950mm
Flora Noyce
Hand worked wholecloth Chinese quilt. Background is cream with a central motif of a dragon embroidered in various shades of orange. The border has floral and leaf decoration at each corner joined by a stem interspersed with leaves, berries and butterflies. The border is dull gold satin finished cotton with a fine gold braid machined on. The backing is fine brown cotton.
1730 x 1700mm
Agapi Naoumidis
Wholecloth quilt made of deep cherry red satin with a cotton backing of a lighter red colour. The padding is wool. The quilting pattern comprises twelve squares, each approximately 350mm with a four leaf pattern in each. The border is straight and wavy parallel lines.
2000 x 1820mm
Muriel Mackenzie
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. Machine sewn and quilted.
1677 x 1144mm