Quilt No.958NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Convict Women
Made in
SHIPBOARD England
Date: 
pre 1850
Description: 
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth...
History: 

"Convict women made the quilt en route to Australia, in 1841, on board the Rajah. The ship left Woolwich on 5th April and arrived in Hobart 19th July �.. with 179 women prisoners. There were possibly twenty-nine convict women on board the ship who worked the quilt. Extensive information is held at the NGA on the details of the voyage and the women who were transported to Australia upon the Rajah." [NGA]
"Little is known of the past owners of the quilt. It is believed that the quilt was presented to a government official soon after the Rajah's arrival. In 1987 the quilt was discovered in a private collection in Scotland. In 1989 it was purchased and donated to the National Gallery of Australia by Les Hollings and the Australian Textile Fund" [NGA]

Story: 

"The fabrication of the Rajah quilt was organised by prison reformer Elizabeth Fry and the 'British Ladies Society for the Reformation of Female Prisoners', who were all members of the Quaker religious order. A woman listed as a free passenger of the Rajah, Miss Kezia Hayter is conjectured to have been the supervisor of the creation of the quilt and the needleworker of the most skill in its fabrication; she probably did the inscription panel." [NGA]
"One of the border bands carries an inscription in very fine cross stitch (18 stitches/cm). The inscription reads:
TO THE LADIES Of the Convict ship committee This quilt worked by the Convict of the ship Rajah during their voyage to Van Diemans Land is presented as a testimony of the gratitude with which they remember their exertions for their welfare while in England and during their passage and also of proof that they have not neglected the Ladies kind admonitions of being industrious * June * 1841 *" [NGA]

Related Quilts:

Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
Mary Robertson
Suffolk puff quilt with each puff approximately 4cm x 4cm. The puffs are small squares rather than the more usual circles. Materials are mainly cottons and satins in a wide variety of colours and patterns. The backing is striped flannelette and is hand stitched to the top.
1660 x 1140mm
La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
Agnes Pratten
Thick padding for a wholecloth quilt constructed from pieces of old woollen clothing. The backing is a calico sheet. Originally had a cretonne cover.
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.