Quilt No.958NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Convict Women
Made in
SHIPBOARD England
Date: 
pre 1850
Description: 
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth...
History: 

"Convict women made the quilt en route to Australia, in 1841, on board the Rajah. The ship left Woolwich on 5th April and arrived in Hobart 19th July �.. with 179 women prisoners. There were possibly twenty-nine convict women on board the ship who worked the quilt. Extensive information is held at the NGA on the details of the voyage and the women who were transported to Australia upon the Rajah." [NGA]
"Little is known of the past owners of the quilt. It is believed that the quilt was presented to a government official soon after the Rajah's arrival. In 1987 the quilt was discovered in a private collection in Scotland. In 1989 it was purchased and donated to the National Gallery of Australia by Les Hollings and the Australian Textile Fund" [NGA]

Story: 

"The fabrication of the Rajah quilt was organised by prison reformer Elizabeth Fry and the 'British Ladies Society for the Reformation of Female Prisoners', who were all members of the Quaker religious order. A woman listed as a free passenger of the Rajah, Miss Kezia Hayter is conjectured to have been the supervisor of the creation of the quilt and the needleworker of the most skill in its fabrication; she probably did the inscription panel." [NGA]
"One of the border bands carries an inscription in very fine cross stitch (18 stitches/cm). The inscription reads:
TO THE LADIES Of the Convict ship committee This quilt worked by the Convict of the ship Rajah during their voyage to Van Diemans Land is presented as a testimony of the gratitude with which they remember their exertions for their welfare while in England and during their passage and also of proof that they have not neglected the Ladies kind admonitions of being industrious * June * 1841 *" [NGA]

Related Quilts:

National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm
Alicia Murdoch
Cotton quilt entirely of hesagons. Some are formed into rostttes or flowers and have a print border of 12 hexagons, an inner circle of 6 hexagons in a plain colour and a yellow hexagon centre. The padding is cotton wool and the backing plain off white cotton.
2210 x 1430mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm