Quilts

Ann Hockey
Patchwork quilt made of small squares pieced from four triangles. Each square is 90mm and is joined to the others by a herringbone lacing in yellow rayon crochet thread, so making an open mesh between each square. The quilt is edged with thick yellow rayon corded braid. Each square is backed with gold coloured cotton. No padding.
1730 x 1430mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
The Embroiderers' Guild of S.A.Inc Museum
This Adelaide Chronicle wildflower quilt has alternating squares of green and fawn headcloth embroidered with Australian wildflowers on the fawn squares and stylised floral motifs on the green squares. It is bordered and backed with the same green material. It is padded.
2350 x 1530mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Narelle Grieve
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
Nancy Dunlap
Grandmother's flower garden pattern. All cottons with plain centres to 'flowers' then row of prints and outer row of plains. One hexagon flower has been repaired. Scalloped edges bound with yellow. Hand quilting around the hexagons. The backing is cream cotton and the padding is thin cotton. 2140 x 1780mm.
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm
Stavroula Iouannou
Wholecloth quilt with both sides in a cotton floral material with a dusty pink background. All over hand quilting is in loose parallel lines.
Stavroula re-covered this quilt with this material about 20 to 25 years ago. Originally the quilt had a yellow gold satin top with yellow gold cotton backing. Padding is cotton wadding.
1900 x 1600mm
Christina Kazaglis
Both sides of this wholecloth quilt are made from different floral cottons with a third pattern used to form borders. It is hand stitched and the quilting pattern is squares. The padding is raw cotton.
1740 x 1240mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Irene Pascoe
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm
Pauline Hunter
Patchwork quilt made from hexagon patches in satin and nylon, the nylon overlaid on satin. Fabrics are plain, in a mixture of dark and light colours. No padding. Backing is of pink satin with pink satin ribbon covering the joining seams. Hand sewn with some machine stitching. Feather stitching along the edge. There is no padding.
2211 x 1752mm
Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
Kapunda Historical Society
Patchwork quilt made from cotton fabrics in stripes, small prints, and plains. Centre block is pieced red and white triangles within a blue and white striped frame, with a row above and below of triangles in a flying geese pattern. Two rows of triangles in the flying geese pattern are on either side the full length of the quilt. Quilt is bordered with red cotton. Colours are red, white, pink, blue and yellow. Padding is probably a woollen blanket, the backing is linen. Closely quilted all over.
2180 x 1930mm

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