Quilts

Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
Alice Lemon
Patchwork quilt made from hexagon patches on one side, and squares and rectangles on the reverse. Cottons are used, mostly from dressmaking, in bright and light colours. The hexagons form an indented edge on all sides; on the back the rectangles have been cut at the edge to match the hexagon shapes. Hand sewn, the edge machine sewn.
No padding.
1551 x 1373mm
Tricia Bowdler
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
National Trust of Australia (NSW)
Hand pieced and quilted quilt in silks, wool and cotton dress materials. The centre is a hexagon star in pink and yellow with black points. Most of the body of the quilt is pieced in Tumbling Blocks with an outer border of triangles. The backing is pieced from large rectangles of blue satin, rust-brown moire taffeta and brown-grey silk in a 'rectangle within a rectangle' pattern. The quilting is all over and finely done in yellow thread in a variety of patterns including snails, petalled flowers and hearts.
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
Margery Creek
This utility quilt is mainly constructed from long strips of cotton seed sack material. It is machine pieced and quilted by hand in a diagonal pattern. There is a red border. The backing is cotton flannelette and the padding is cotton.
1601 x 1525mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
The Queensland Women's Historical Assoc.
Wool patches in large Tumbling Block pattern. Plain colours, blues, orange, gree, red. Seams are over embroidered with silk thread in herringbone stitch. Backing is 'Molleton', red with yellow pansy design.
2490 x 2236mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Jean Winchester
Patchwork quilt of hexagon patches with a large central group of 14 rows, then groups or 'flowers' of 6 patches placed over the rest of the quilt. The colours are red, black, white and blue, in a mixture of stripes, florals and plains. No padding. Backing is a double bed sheet. Hand sewn.
2591 x 2566mm
The Pioneer Women's Hut
Double sided utility quilt made from machine pieced squares of tailors' samples and men's and boy's suitings. The padding is 5 or 6 layers of pieced used clothing including darned, threadbare socks, part jumpers, blanket pieces etc.
2090 x 1340mm
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Catherine Llewelyn-Smith
Quilt remnant. This piece of the top is hand embroidered in gold thread on a background of burgundy silk in a traditional style still practised by Greek women today. The backing is white and probably cotton or linen.
940 x 430mm
Annette Gero
Hand pieced log cabin quilt in silks, satins and velvets. There is a silk backing machined on, possiby a later addition. The quilt has over 5000 pieced.
1820 x 1680mm
Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
Alison Barlow
Quilt in traditional design called 'Seven Sisters'. Seven stars, each of six diamonds are set against a cream background, surrounded by bright pink triangles. Hand pieced and hand quilted. Padding is cotton, and backing is cream calico. 2100 x 1850 mm.
Wangaratta Centre Quilters Inc
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm

Pages