Quilts

Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Sue Batzloff
Patchwork quilt for a child made from suiting pieces from the Castlemaine Woollen Mills in Victoria. One side has dark rectangles in greys and navy, the other side uses pieces in light browns, cream and rust, with dark grey. The edging is also made from suiting. No padding Machine sewn.
1347 x 1271mm
Billie Briggs
Hand pieced hexagon quilt in pattern known as 'Grandmother's Flower Garden". 12 hexagons, in patterned cottons, form the outer border of each flower with an inner border of 6 matching plain coloured hexagons and all flowers have a yellow hexagon centre. There is no padding, a cotton backing and it is hand quilted.
2400 x 1780mm.
Port Curtis Historical Soc.Inc.
Cotton Hexagon quilt with a wide variety of patterned and plain materials. Blue binding and a cotton backing. The padding is thought to be cotton wool.
1525 x 1220mm
Kaniva District Historical Society
Quilt of crocheted squares (sometimes known as Granny squares) in pinks, blues, greens and brown, with a green crocheted border edged in brown. Quilt is backed. A cot quilt or a knee rug.
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Tasmanian Museum and Art Gallery
Small possum skin rug with the centre area greyish skins and 2 narrow borders of reddish brown and dark brown pelts. The skins are hand sewn with white thread. The backing is woollen material, light brown with dark brown woven stripe. 1380 x 1040mm
Nancy Dunlap
Grandmother's flower garden pattern. All cottons with plain centres to 'flowers' then row of prints and outer row of plains. One hexagon flower has been repaired. Scalloped edges bound with yellow. Hand quilting around the hexagons. The backing is cream cotton and the padding is thin cotton. 2140 x 1780mm.
Catherine Llewelyn-Smith
Quilt remnant. This piece of the top is hand embroidered in gold thread on a background of burgundy silk in a traditional style still practised by Greek women today. The backing is white and probably cotton or linen.
940 x 430mm
June Brown
This quilt has been strip pieced with no regular pattern. It seems a large quilt has been made then folded in half. The materials used are woollen skirting pieces in a variety of colours. It could be used either way. There is no padding and it is very heavy.
2100 x 1950mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Ida Blenkiron
Wholecloth cot quilt of floral cotton in a pattern of pink roses, green leaves, and blue ribbons. Paddiong is old blanketing, and backing is a soft fawn twill. The cotton was the same fabric as the bedroom curtains. No quilting.
1010 x 840mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Jan Gaudron
Possum skin rug with 6 rows of 7 skins. The backing is red felt with a border showing and peaked edge. 1680 x 1460mm
Fran Williams
150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm
The Temora Rural Museum
All cotton hexagon quilt using a wide variety of colours and patterns. The hexagons were hand stitched by Sylvia Schleibs in the same style she and her daughter, Norma Gilchrist, had previously made 3 hexagon quilts. There is a calico border and backing.
2000 x 1450mm
Muriel Mackenzie
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. Machine sewn and quilted.
1677 x 1144mm
National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
Robert O'Hara Burke Memorial Museum
Miniature crazy quilt either for a baby or a doll. Plain and patterned materials including velvet, satin, sateen and brocade. 4 patches are embroidered and the central patch has a hand painted flower. Each patch is embroidered around the edge with a variation of feather stitch. It has a brown binding and lace edge. The backing is twill cotton.
490 x 390mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.

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