Quilts

Bruce Wright
Skin rug made from approximately 50 fox skins. These are hand sewn together in strips approx. 100mm wide across the width of the rug. Backing is of dark brown felt. The edge is trimmed with blue felt with a scalloped edge. Skins were tanned with wattle bark tanning solution. 1550 x 1300mm
Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. It is made in one piece and then doubled over. The materials are mainly wool, worsted, part cream machine made jumper, pink and blue mohair, blue and white spotted flannelette and cream blanket and all are scraps or from worn clothing.
1690 x 1370mm
National Trust of Australia (WA)
Frame quilt in cottons with a centre motif of pieced 8 point star surrounded by borders, 2 from red/white material printed to represent Tumbling Block patchwork. The remaining borders are, one plain, one of pieced squares, one of pieced large triangles with squares in the corner. The outer border is plain. The padding is wool and the backing is cream cotton. It is elaborately quilted.
2400 x 2260mm
Busselton Historical Society
The strip quilt is handsewn and quilted. Quilt top has 13 panels or strips of 3 different cotton lawn floral prints. Some fabrics are now wearing. Backing is of plain white cotton. The padding is wool. Quilting features a triple row cable design with flower motifs.
2100 x 1800mm
Ruth Nash Allen
Quilt based on 70mm block. Cottons and rayon's with some reused materials. Machine pieced, hand quilted. Backing is mid blue cotton brought over to the front and machined to form a binding. Padding is probably cotton.
2510 x 1850mm
Gilgandra Historical Society
Wholecloth quilt of natural coloured cotton material. Two thousand two hundred and twenty six names have been embroidered on the top in red stranded cotton. The backing is red and white cotton material.
2033 x 1474mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm
Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm
Win Adcock
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Anne Langford
Hexagon quilt with rosettes centred in an all over diamond pattern. It is hand pieced and hand quilted. All the materials are either linen or pure cotton. The quilt is padded with batting (American) and the backing is floral cotton.
2360 x 1800mm
Effie Katianos
Wholecloth quilt of golden brown cotton sateen, the backing of a lighter yellow cotton sateen. Hand quilted with an allover repeatingr pattern of a cross within a square. The border is quilted with 4 parallel rows of stitching at the sides, and 5 at the top and bottom. Padding is cotton wadding. 1920 x 1440 mm.
1920 x 1440mm
Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Mare Carter
Patchwork quilt, all cotton including cotton padding filler. The design is 'Dresden Plate' or 'Friendship Circle'. Background is white with multicoloured and patterned triangular pieces forming circles. Hand stitched and heavily quilted.
2235 x 1778mm
Queen Victoria Museum and Art Gallery
Wholecloth quilt with one side cream wool and one side faded red wool. Red wool is joined with 3 seams by loom length; red appears to be cochineal dyed. Cream wool side appears to have been made from a hand woven blanket with blue selvidge on 2 sides. It is hand quilted in red wool thread; Welsh patterns including clamshell, Welsh pear, snail or spiral. Centre frame has 2 cable borders and the centre corners have fans. The outer quilted border has alternate 4 petal flowers, clamshell, and spirals.
It is padded with hand carded wool.
1950 x 1935mm

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