Quilts

N.S.W. Parks and Wildlife Service
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
Annette Gero
Hand pieced frame quilt with centre frame of hexagons and radiating borders of cotton and chintz. There is a heart at each of the 4 corners on the second border. It is hand quilted. There is no padding.
1900 x 1900mm
Margery Creek
Medallion style all cotton quilt made in the USA. Hand pieced with centre panel of 'cheater' material pre printed in a patchwork design. Bordered with 'Nine Patch' and sashing. The backing is printed cotton and the padding is cotton. The quilt has yellow tufting or ties in wool.
1855 x 1525mm
National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
Patricia Roche
The rug consists of 95 fox tails (19 down and 5 across) stitched to fox skins which also form a border. The top section is piped with felt. The backing is wool felt scalloped around the edge. 1580 x 1260mm
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Lyn Uppill
Scrap quilt made of vertical strips of rectangles alternating with narrow strips of pieced triangles. Colours are subdued, blues, pinks, red, browns and black, in small patterns and stripes. Fabrics are suiting, rayon, crepe, gaberdine, taffeta and blazer wool. The padding or middle layer is pieced from hessian and suiting fabric, knitted cotton. and khaki and brown twill (uniform material). The middle layer is then handsewn to the back.
1550 x 870mm
Betty Johnson
Pieced wool quilt, machined. Rectangles and squares, from a wide variety of materials including tartans, checks, tweeds, herringbones, joined in strips and then the strips joined. The backing is scraps of woollen material with a seal motif aookiqued on. There is no padding.
1350 x 800mm
Albury Regional Museum
Patchwork cot quilt, machine pieced, rectangular, 5 x 4 squares. Assorted fabrics including seersucker, corduroy, printed and plain cottons. White ric-rac braid and zigzag machine stitching accentuate rows. Edge of white cotton tape. Backing is single flour bag, calico, with maker's printing visible through patchwork: 'Tiger. Best Australian Roller Flour. Mala Foot. Sole Supply. Part of Kuala Lumper' and Chinese characters.
674 x 540mm
Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Melinda Smith
Wholecloth cover in synthetic rayon. Centre plain, drop slightly gathered, edging border is large saw tooth appliqued pieces in flannelette, striped seersucker, crepe de chine. Materials typical of the 30s through to the 50s. The appliqued triangles are chain stitched in yellow thread which also anchors them to the backing.
2450 x 1940mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Annette Gero
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
Red Cliffs Historical Society
Pieced construction, repeat block format, American Blue Grass pattern. Hand stitched and quilted with a machined edge. Mauve check stars, 8 points, surrounded by 16 point stars in yellow floral. One star per block plus green squares and red strips. The background is yellow cotton and so is the backing. There is a dacron type padding.
1980 x 1740mm

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