Quilts

Grandmother's flower garden pattern. All cottons with plain centres to 'flowers' then row of prints and outer row of plains. One hexagon flower has been repaired. Scalloped edges bound with yellow. Hand quilting around the hexagons. The backing is cream cotton and the padding is thin cotton. 2140 x 1780mm.

"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm

Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm

Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm

This quilt has been strip pieced with no regular pattern. It seems a large quilt has been made then folded in half. The materials used are woollen skirting pieces in a variety of colours. It could be used either way. There is no padding and it is very heavy.
2100 x 1950mm

All cotton hexagon quilt using a wide variety of colours and patterns. The hexagons were hand stitched by Sylvia Schleibs in the same style she and her daughter, Norma Gilchrist, had previously made 3 hexagon quilts. There is a calico border and backing.
2000 x 1450mm

Quilt in frame style patchwork with applique and broderie Perse applique in printed cottons and linens with silk embroidery. The centre frame has an octagonal shape of floral printed material appliqued on to cream linen surrounded by pieced and appliqued triangles and sashing of printed cotton. Above the frame is embroidered in dull gold silk in cross stitch 'Mary Moxey 1818 Emma Tremlett Born Decr 16th 1837'. Outer borders are pieced and appliqued diamonds and hexagons separated by printed sashing. The quilt is backed with cream linen.
2405 x 2373mm

150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm

Quilt top of cottons including shirting materials constructed in kaleidoscope pattern with star border. Hand pieced over papers, some papers remain at edges. There is no padding and no backing.
2440 x 1720mm