Quilts

Efthimia Toubakaris
Wholecloth quilt of golden brown cotton satin, the reverse side of pink cotton satin. Central quilting pattern of interlaced curves, within 3 rows of parallel stitching, then a border pattern of an interlaced knot design, the edge finished with 2 rows of parallel quilting. Filling of cotton. 2010 x 1920 mm.
2010 x 1920mm
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
National Gallery of Australia
"A medallion or framed quilt in design. There is a central field of small patchwork diamonds, and from this radiates plain stripes of fabric bordering areas of patchwork panels. The edge of the quilt carries bands of red cotton, which are slightly larger at the top and bottom edges, and here the band is additionally decorated with appliqué diamonds. The fabric of the patchwork is cotton in fine plain weave of pale coloured florals and small geometric designs. The framing and border stripes are of bright red twill weave cotton. The small diamonds of the central field are hand sewn, with more use of machine stitching around the outer edge of the quilt.
The quilt is not padded. The patchwork is fully lined with a printed plain weave cotton fabric with a design commemorating Queen Victoria's Jubilee. The design is based on a repeated grid of circles. In the centre of each circle is a cameo of Queen Victoria, surrounded by images of the national flowers of England, Scotland and Ireland: the rose, the thistle and the shamrock. The edge of the front face of the quilt is trimmed with a red and white cotton braid." [NGA] 2380 x 2220mm
N.S.W. Parks and Wildlife Service
Kangaroo skin rug made from 450 x 270mm pieces overstitched together. The backing is a wholecloth plaid in red brought to the front and machine stitched to form a 60mm binding. 1660 x 1400mm
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
Julie Pearce
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
Muriel Thompson
Quilt in pattern known as 'double weeding ring'. All cotton, using old prints, plaids, checks and solid colours, with plain blues and red squares at the intersections of the circles. White background. Hand pieced. Padding is Hobbs Heirloom: cotton 80%, polyester 20%. Backing is cream quilted cotton. 2500 x 2100 mm.
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Wanda McPherson
Patchwork quilt made from pure wool suiting samples in shades of navy blue and brown. Quilt is constructed in 11 rows containing 11 pieces. Each piece is 14cm x 9cm. No padding. Backing is of mauve cotton with a floral pattern of closely spaces white/pale mauve flowers.
1480 x 900mm
Mare Carter
Patchwork quilt, all cotton including cotton padding filler. The design is 'Dresden Plate' or 'Friendship Circle'. Background is white with multicoloured and patterned triangular pieces forming circles. Hand stitched and heavily quilted.
2235 x 1778mm
Peter and Jan Newman
Suffolk Puff quilt with puffs mainly in patterned cotton pieces saved from 60 years of household sewing. Puffs are formed into rosettes and the holes are on the top making a decorative feature. It is hand sewn.
2700 x 2400mm.
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Tasmanian Museum and Art Gallery
Small possum skin rug with the centre area greyish skins and 2 narrow borders of reddish brown and dark brown pelts. The skins are hand sewn with white thread. The backing is woollen material, light brown with dark brown woven stripe. 1380 x 1040mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Busselton Historical Society
The strip quilt is handsewn and quilted. Quilt top has 13 panels or strips of 3 different cotton lawn floral prints. Some fabrics are now wearing. Backing is of plain white cotton. The padding is wool. Quilting features a triple row cable design with flower motifs.
2100 x 1800mm

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