Quilts

West Australian Quilters' Ass
Reversible Durham quilt made with nine pieced strips of deep green polished cotton joined together. Very finely hand quilted in an all-over traditional English quilting design. It is padded but the type of padding is unknown. 2220 x 2020mm.
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Queen Victoria Museum and Art Gallery
Rug made from skins of black quolls. The skins are dark grey-brown with black areas and each skin has cream spots. The skins are mainly machine stitched together with a few roughly hand sewn. The backing is maroon felt and this extends beyond the top with a scalloped edging. There is yellow ric-rac braid hand sewn on the back seam. 1300 x 885mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
The Embroiderers' Guild of S.A.Inc Museum
This Adelaide Chronicle wildflower quilt has alternating squares of green and fawn headcloth embroidered with Australian wildflowers on the fawn squares and stylised floral motifs on the green squares. It is bordered and backed with the same green material. It is padded.
2350 x 1530mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
The Pioneer Women's Hut
The quilt is constructed from machine pieced diamond shaped striped flannel materials. The backing is the same. The padding is not visible but is thought to be worn out woollen clothing, unpicked and ironed flat.
1520 x 970mm
Helen Blandford
Bassinet quilt. Pink satin top and backing overlaid with lace. Machine and hand sewn. The padding is possibly a nappy. It is part of a set that includes a pillow cover.
585 x 509mm
Gundagai Historical Museum
Patchwork cot or pram quilt made of diamond patches in the Tumbling Block pattern. Patches are made from cotton, corduroy and velvet, with red, black, teal blue, green, brown and cream predominating. No padding. Backing is of green wool and the quilt is bound with dark red crushed velvet.
780 x 560mm
Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
National Trust of Australia (WA)
Wholecloth Durham quilt of white cotton sateen front and backing. Handsewn. Padding is wool. Quilting patterns include a centre of 8 petalled flower within a double circle with radiating palmettes on a cross hatched background and borders of leaves and branches.
2330 x 19400mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm
Kerrie Maloney
Double sided quilt made from woollen suiting pieces some of which have hand worked eyelets. Many of the rectangles are irregular. Both sides use similar pieces but arranged in different patterns. There is no padding.
2160 x 1524mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Art Gallery of South Australia
Patchwork quilt or table covering dark and light silks in bright colours, pieced from diamond shapes into stars with black patches between the stars. Plain and patterned silks are used for the stars. Border is made from a single row of Tumbling Blocks in plain silks with an edging on each side of truncated black diamonds on blue on the inside, orange on the outer edge. There is a star pieced of diamonds in each corner. Hand sewn.
1830 x 1800mm
Eileen Dinning
Quilt of over 6000 suffolk puffs (also called yo yos) in a mix of cotton and synthetic materials. The top is hand stitched on to a satin backing.
2413 x 1626mm
Kim and Melissa L'Estrange
Fox skin rug of exceptionally fine skins with brushes incorporated into the design. It is backed with brown felt with traditional stamped scalloped edge. 1800 x 1500mm

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