Quilt No.50GPM - Griffith Pioneer Park Museum

Griffith Pioneer Park Museum
Owner: 
Griffith Pioneer Park Museum
Location: 
NSW Riverina
Maker
Maker: 
Josie McRae
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Covered on both sides with corded floral chintz, probably originally curtains. Not attached to padding. Padding is worn grey blanket onto which has been stitched (with large running stitches) a variety of unpicked and part woollen garments, including a navy overcoat (with pockets), handknitted garment (possibly a singlet) and herringbone tweed skirt. The cover and lining are currently separate, outer stitching unpicked by the donor for washing prior to donation and not re-attached.
1780 x 1040mm
History: 

Made by Josie McRae of 'Sunrise', Tabbita about 1941 or 1942 when she was 9 or 10 years old. Her mother Mrs. Ellen McRae helped. Donated to Griffith Pioneer Oark Museum by Josie Hoare (born McRae) in 1993.

Story: 

Made by the donor, then around 9 or 10 years old, with her mother, Mrs Ellen McRae, of 'Sunrise', Tabbita, in 1941 or 1942. One was also made for each of Josie's 4 brothers (7 children in the family). In 1939 the family's house was destroyed by fire, including most of their clothing, soft furnishings, blankets, sheets etc.The quilt was probably used originally on Josie's bed. Later it was used under the play pen when her children were little. Josie's husband Rex used it when camping and fishing. Then in later years it has been used under the mattress on a bed.
"Murd [brother of the donor] was about 16 then and working for the Hillmans (Mrs Hillman, nee Eliza Hill of 'Fairview'). Mrs Hillman made him a wagga, covered with blue cretonne covered with red roses. At one stage, Josie recalls Mrs Hillman, then an old lady, at their house seeking small pieces of fabric for a hexagon quilt she was making - they didn't have much spare material, but she only needed little bits. Murd wondered whether the idea of the waggas might not have come from Mrs Hillman, who used to make them - she may certainly have contributed filling for ones Mrs McRae made - since the Hillmans were among those who contributed clothing after the McRae house fire. Josie doesn't recall ever seeing a completed hexagon quilt made by Mrs Hillman."
[Conversation between Josie Hoare and Robyn Oliver, curator Griffith PioneerPark Museum 23.8.93]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm
Muriel Hartmann
Domestic Wagga made from sugar bags joined together and covered with army blankets. Machine construction. Patching evident. Sugar miller's brand visible on one bag: " M--AQUIN, 70lbs, --- SUGAR, BUNDABERG"
1753 X 1347mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm