Quilt No.971NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Mary Hannaford
Made in
AUSTRALIA NSW
Date: 
1901 - 1920
Description: 
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite...
History: 

The quilt was made by Mary Jane Hannaford about 1910 at Blanford, near Murrurundi, New South Wales.
"There are seven known quilts initialled 'M.J.H.' five of which are owned by the National Gallery of Australia. The National Gallery of Australia purchased this quilt from a private collector, Sydney in 1982." [NGA]

Story: 

"Mary Jane Hannaford was born in Devonshire, England in 1840. She came to Australia on board the 'London', arriving in Sydney in March 1842. The family moved to Tamworth after the Australian Agricultural Company contracted her Father as shepherd. Her father died in 1852, when Mary was 12. Her Mother remarried 2 years later and they moved to Blanford near Murrurundi, New South Wales. Mary Jane lived with her parents until they died and continued to live with her brother on the farm 'Balmoral'. She never married, but had a daughter, Emily Agnes Hannaford who married George Cady in 1887. Mary Jane died in Blanford in 1930." [NGA]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
The Pioneer Women's Hut
The quilt is constructed from machine pieced diamond shaped striped flannel materials. The backing is the same. The padding is not visible but is thought to be worn out woollen clothing, unpicked and ironed flat.
1520 x 970mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Muriel Hartmann
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
Maria Patounas
The cotton quilt top is blue featuring a floral design in the centre and a matching border. The main quilting pattern relates to this. There is a wide gold cotton border with a quilting pattern of parallel lines and diamonds. The backing is plain red cotton. The padding is cotton wadding.
2040 x 1750mm