Quilt No.251HS - Helen Sparkman

Helen Sparkman
Owner: 
Helen Sparkman
Location: 
SA Adelaide
Maker
Maker: 
Clara Pitt
Made in
AUSTRALIA SA
Patterms
Wholecloth, Utilitarian
Date: 
1941 - 1970
Description: 
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
History: 

This quilt was made by Clara Pitt, daughter of Matilda Pitt, probably during the 1950s. It has always been in the family and Clara was the great aunt of the present owner, Helen Sparkman. It is not used now.

Story: 

"Clara May Pitt 1892-1985 (Daughter of Matilda Pitt)
Clara made many quilts mainly during the 1950s and 1960s, not out of need but because of her love of patchwork. Her quilts were mainly Hexagons and Suffolk Puffs. Clara was a single lady who had five neices and a nephew, and quite a number of great neices and nephews. As each quilt was completed it was presented to a family member. These family members now cherish her gifts, even though all have often smiled and queried her fabric selection, placement, neatness and her continual use of white thread over the years. Clara was over 80 years of age when she made her last quilt (Hexagons of course) for a private museum."
[Helen Sparkman Dec.2000]

Clara Pitt c.1960
Clara Pitt c.1960

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Tasmanian Museum and Art Gallery
Quilt No.821TMAG - Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm
Wholecloth, Utilitarian
Agnes Pratten
Quilt No.955AP - Agnes Pratten
Thick padding for a wholecloth quilt constructed from pieces of old woollen clothing. The backing is a calico sheet. Originally had a cretonne cover.
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Muriel Hartmann
Quilt No.111MH - Muriel Hartmann
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
Wholecloth, Traditional Wagga, Utilitarian, Typically Australian
Margery Creek for Eugene Creek
Quilt No.408MC - Margery Creek for Eugene Creek
Wholecloth polyester and cotton quilt in deep orange with centre frame of Creek family crest. The crest is machine zig zag appliqued to white background and has a black border. The quilt is machine sewn, hand quilted, has a white backing and a thin black binding on the border. The padding is polyester.
2235 x 1854mm
Wholecloth, Embroidered and/or Appliqued