Quilt No.217MSR - Upper Murray Historical Society

Upper Murray Historical Society
Owner: 
Upper Murray Historical Society
Location: 
VIC North East
Maker
Maker: 
Harriet Dixie
Made in
WALES
Date: 
pre 1850
Description: 
This patchwork quilt in the Tumbling Block pattern is hand sewn from silks. The quilt has a border of elongated hexagons outlined with black silk fabric, the gaps betweewn each black edged hexagon filled with a triangle. The edge of the patchwork has been tacked on to a white material backing. The papers behind each patch are old docket books from 'The Great Northern Railway'
.
1829 x 1220mm
History: 

Made by Miss Harriet Dixie in Treventy, Wales c. 1820. Later owned by Miss Winifred Waters, daughter of Harriet's eldest son Thomas Beaumont and Alice Wheeler, and then by the Waters family. Donated to The Man from Snowy River Museum, Upper Murray Historical Society, Corryong (Vic) in 1980.

Story: 

Harriet Dixie made the quilt in Treventy, Wales, c. 1820. In 1831 she married John Waters, and had four sons, Thomas Beaumont, Alexander Dixie, Edward and John. After John Waters died Harriet remarried. The children, not liking their stepfather migrated, Thomas to Australia, and later Alexander followed. Edward and John (who became a doctor), went to Canada.
Thomas Beaumont, on migrating, settled in the Upper Murray. He married Alice Wheeler in 1863 and they lived at Gravel Plains. Amongst their children were Rose and Winifred, who later owned the quilt, and a son, Charlie.
There are two stories as to how the quilt came to Australia:
1. The quilt was sent to Australia in 1856 on the death of its maker, Harriet, and it then remained in the Waters Family until donated to the Upper Murray Historical Society's museum.
2. The quilt was sent out to the young couple, Thomas Beaumont Waters and Alice Wheeler, on their marriage in 1863. Their granddaughter gave it to the museum.
[From notes supplied by a member of the Upper Murray Historical Society 2.12.97]

Related Quilts:

Annette Rich
Unlined quilt. Central square of floral chintz with rectangular and chevron border making a larger frame that is set within another square-on-point frame edged with 2 toned red leaf pattererned chintz. This quilt is mainly pieced (squares, triangles, lozenges) but the hexagon rosettes are appliqued. Dress and furnishing cottons dating from the early 1800s. Raw edged, unfinished. All hand stitched.
2400 x 2400mm
National Trust of Australia (QLD)
Hexagons appliqued onto sheeting. 5 groups of 6 hexagons in centre of sheet and continuous row of hexagon rosettes around border.
2261mm x 1664mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Tongarra Bicentennial Museum
Patchwork cot quilt top made from cotton hexagon patches, featuring a centre rosette with 7 rows of patches around it forming an elongated shape, with rosettes and patches randomly placed on the sides. Quilt has a border of triangles pieced to form squares. Cotton prints with over 50 different patterns. Colours are faded, with red and brown (may be faded green) and mostly pastels. Hand sewn using whip stitch. No padding or backing.
990 x 825mm
Annette Gero
Utilitarian quilt made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1570 x 152Omm
Evelyn McAlister
Quilt made from dressmaking materials in a design probably made up by the maker but resembling 'Courthouse Steps'. The outer border of each block is mitred. Originally it was reversible but during restoration the back was brought to the front, doubling the size of the quilt. The padding is old woollen materials. The backing is a new piece of floral material. It is now machine quilted.
1830 x 1220mm