Quilt No.434BB - Mary Elizabeth (Beth) Burnett
Owner:
Mary Elizabeth (Beth) Burnett
Location:
QLD South West
Maker
Maker:
Mrs Coupe
Made in
ENGLAND
Patterms
Date:
1901 - 1920
Description:
Tumbling Block quilt made from pure silk ribbons, patterned and plain. The quilt edge follows the block shapes. The backing is polished cotton printed with flowers.
2743 x 2439mm
2743 x 2439mm
History:
The quilt was made in England 'around 1840 or before' by Mrs. Coupe and owned by her. Then owned by her daughter Mary Elizabeth Coupe, then her son George Lockington, then Mary Golden (born Lockington), then Mary Elizabeth Burnett (born Golden) and the quilt will be inherited by Georgina Mary Worsfold (born Burnett). It is not used.
Story:
This quilt was used as a fund raising project 'count the number of boxes' for the Red Cross in the 1914-18 war. It is thought this took place at Heledon near Toowoomba Qld.
Beth Burnett
Related Quilts:
Quilt of alternate green and fawn squares (100mm) in knitted fabric, originally swatches of sample fabrics. Padding is a piece of old blanket. Backing is fawn flannelette, and the quilt is finished with a flannelette ruffle.
1423 x 1124mm
1423 x 1124mm
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
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Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
2040 x 1800mm
Machine constructed log cabin quilt using a wide variety of strips of used clothing including cottons, men's suitings and wools. Each square is about 250mm and arranged in the 'light and dark of the fire' variation of log cabin. There is no padding. The backing is brown twill with an orange pattern and is probably a replacement backing.
2180 x 1710mm
2180 x 1710mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm