Quilt No.299ASA - Art Gallery of South Australia
Owner:
Art Gallery of South Australia
Location:
SA Adelaide
Maker
Maker:
Virginia Huntingdon Barclay
Made in
USA
Patterms
Date:
1881 - 1900
Description:
Rectangular patchwork crazy quilt pieced in squares (3 across by 4 down), in silks and wool, with red sashing between blocks and red border, quilted. Colours are dark, with red and light blue. Embroidery includes double feather, rope, herringbone, satin, cross, sword edge, buttonhole and coral stitches, and French knots. Embroidered flowers include lily of the valley, rose, daisy, and sunflower, also butterflies. Backing is pieced in the frame style, with a large centre red square, within 10 frames or borders. Embroidered "In Most Loving Memory of My Darling 1883", "V.H.B." Hand sewn.
1900 x...
1900 x...
History:
Made by Virginia Huntingdon Barclay in Bethany, Virginia, USA, c.1883. Given to Mary Barclay (born Magarey) by her husband, Virginia's brother. Owned by her daughter Audine Andrews. Gifted to the Art Gallery of South Australia, Adelaide, in 1983 by Mrs. Audine Andrews.
832A4
Story:
Virginia Huntingdon Barclay, who died aged 21, made her quilt in Bethany, Virginia, United States. Her embroidered inscription is signed and dated 1883. The quilt was given to the donor's mother Mary Barclay (born Magarey) in 1919 on her return to South Australia with her family. Mary Barclay was born in South Australia and visited the United States in 1903 where she met and married the maker's brother.
Related Quilts:
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
2200 x 1720 mm.
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm
1850 x 1720mm
Quilt in traditional design called 'Seven Sisters'. Seven stars, each of six diamonds are set against a cream background, surrounded by bright pink triangles. Hand pieced and hand quilted. Padding is cotton, and backing is cream calico. 2100 x 1850 mm.
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
The top has a segmented circle in the centre surrounded by a border of small rectangles. The circle is featherstitched on to the background. Materials are wools and cottons and it is hand pieced. The other side appears to have been originally men's suiting materials strip pieced. It is now covered with a children's print in light cotton joined in long rectangles. The padding is coarse heavyweight cotton.
1410 x 1080mm
1410 x 1080mm