Quilt No.488WHS - Wangaratta Historical Society

Wangaratta Historical Society
Owner: 
Wangaratta Historical Society
Location: 
VIC North East
Maker
Maker: 
Marianne Gibson
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of...
History: 

The quilt was made about 1891 in Wangaratta by Marianne Gibson (1837-1911). It remained in the family until it was presented to Miss Alma Gard and on Alma's retirement she presented it to the Wangaratta Historical Society. It is carefully stored and exhibited occasionally.

Story: 

"Marianne was born in Armagh, Ireland in 1837, and as a young woman she and her sister accompanied their uncle to Australia. They eventually made their way to Wangaratta Victoria where in 1864, Marianne married Alexander McCullen Gibson.
Mr. Gibson was to become a prominent business man in Wangaratta, establishing a handsome brick building in Reid St, which he operated as a general store and Wine Merchants. The ground floor of the building became the business premises and the first floor which included a pretty balcony became the home of the Gibson family.
Marianne's Obituary which was published in the "Wangaratta Chronicle" in 1911 stated that 'She attended her household in a truly motherly and womanly manner, rearing a family of 3 sons and two daughters.' Unfortunately her Obituary does not identify her daughters by their Christian names.
She also involved herself with women's organisations in the town, particularly the 'Wangaratta Women's Benevolent Society'.
Like many women of her generation she was an experienced needlewoman. The beautiful quilt, known in our society as the 'Gibson quilt' being an example of her considerable skill and pride in her work. This particular quilt was made in 1891."
[Joan Wood, Research Officer, Wangaratta Historical Society 28.10.1996]

Centre patch with Sturt's Desert Pea
Centre patch with Sturt's Desert Pea

Related Quilts:

Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
The Pioneer Women's Hut
Double sided patchwork quilt. Machined squares and rectangles joined in strips and then the strips joined. Wide variety of materials, mainly woollen from hand or machine knitted jumpers, many patched. All materials came from worn garments from family and friends of the maker. No padding.
1860 x 1410mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm