Quilt No.519FW - Fran Williams

Owner:
Fran Williams
Location:
TAS
Maker
Maker:
Unknown
Made in
AUSTRALIA TAS
Date:
1941 - 1970
Description:
Mainly cotton top and backing, some silks and satins. Machine construction. Patches, mainly rectangles, joined in strips and then the strips joined to form the top. The back is a similar construction but larger pieces. The padding is made from lots of hand and machine knitted woollen pieces, including jumpers. It is very heavy. It is not quilted. It is not used. The owner calls it a Wagga.
1200 x 1630mm
1200 x 1630mm
History:
Given to Fran Williams, the owner, in 1996, by Dinnie Cameron*who in turn had been given two similar quilts of which this is one. It is thought they originally came from a CWA cottage at St. Helens Tasmania and were probably made in the 1950s.
* Dinnie Cameron is a well known textile and quilt expert in Tasmania.
Related Quilts:
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Single bed length and width.
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Patchwork quilt, all cotton including cotton filling. "8 pointed star" with turkey red surround, white background. Hand stitched and hand quilted.
2109 X 1727mm
2109 X 1727mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.
The top is strips of mainly wools in blue, maroon and purple. The backing is imitation fur in brown and grey. They is no quilting. The padding appears to be a double sided pieced quilt from men's suitings or tailors' samples.
1500 x 1130mm
1500 x 1130mm