Quilt No.457RCH - Red Cliffs Historical Society

Red Cliffs Historical Society
Owner: 
Red Cliffs Historical Society
Location: 
VIC Northern
Maker
Maker: 
Florence Beaton
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
History: 

The quilt was made by Florence Beaton of Sunshine Farm in the 1950s or 1960s. It is now owned by the Red Cliffs Historical Society at Red Cliffs, Victoria. The society also has a fine collection of Florence and Clara's needlework.

Story: 

Florence (Flo) Beaton (born McNabb) 1920-1996 was the daughter of Clara and Frank McNabb who selected block 46 at Carwarp in the harsh mallee country of north western Victoria in 1913. They called it "Sunshine Farm". Florence was one of 4 childrten (3 boys). She recalled* that her Mother Clara once won a nail driving competition, was an expert with a shotgun, worked on the farm driving a team of horses, had a wonderful garden and was a fine needlewoman as was her mother Ellen before her. Flo carried on the needlework tradition of her mother and grandmother and was accomplished in many types of needlework including making quilts. Flo did not have any children.
[*Ref: "A Woman's Work" By Florence Beaton. The story of a Mallee farmer's wife from 1913. Published by The Sunnyland Press, Red Cliffs 1985.]

Related Quilts:

Margery Creek
Snow Ball' cotton quilt made in the USA. Feed bag materials and dress materials. Hand pieced and hand quilted. Calico border and backing.
2058 x 2007mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.