Quilt No.936HS - Helen Sparkman

Helen Sparkman
Owner: 
Helen Sparkman
Location: 
SA Adelaide
Maker
Maker: 
Clara Pitt
Made in
AUSTRALIA SA
Date: 
1941 - 1970
Description: 
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
History: 

This hexagon quilt top was made by Clara Pitt in South Australia in the 1960s. It is now owned by Helen Sparkman who is the great neice of Clara May Pitt.

Story: 

"Clara made many quilts, mainly during the 1950s and 1960s, not out of need but because of her love of patchwork. Her quilts were mainly Hexagons and Suffolk Puffs. Clara was a single lady who had five neices and a nephew, and quite a number of great neices and nephews. As each quilt was completed it was presented to a family member. These family members now cherish her gifts, even though all have often smiled and queried her fabric selection, placement, neatness and her continual use of white thread over the years. Clara was over 80 years of age when she made her last quilt (Hexagons of course!) for a private Museum."
[Helen Sparkman Dec. 2000]

Related Quilts:

National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Jindera Pioneer Museum
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
Billie Briggs
Hand pieced hexagon quilt in pattern known as 'Grandmother's Flower Garden". 12 hexagons, in patterned cottons, form the outer border of each flower with an inner border of 6 matching plain coloured hexagons and all flowers have a yellow hexagon centre. There is no padding, a cotton backing and it is hand quilted.
2400 x 1780mm.
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220