Quilt No.112MH - Muriel Hartmann

Muriel Hartmann
Owner: 
Muriel Hartmann
Location: 
QLD South West
Maker
Maker: 
Elsie Hartmann
Made in
AUSTRALIA QLD
Date: 
1941 - 1970
Description: 
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
History: 

Made by Elsie Hartmann , 1910-1996, at Blackall Queensland. It is typical of many she made for warmth and of necessity. Now owned by her daughter-in-law Muriel Hartmann.

Story: 

"With the wool pack Wagga I may not have used two side pieces. One piece formed the top and side and the other piece side and bottom. The two pieces stitched together and the ends bound with coloured material to stop the ends unraveling. I think that's how it went. We could not afford to buy blankets. At the time my husband worked for a sheep farmer in northern N.S.W and we had 3 small children and it got very cold in the winter then. The frost hung in icicles off the fences and off the cows noses, the wind was very cold blowing through the house. I used wheat bags opened up under the mattress with newspaper to keep the cold air from coming up and the Waggas on top. Some of the old army blankets I used for Waggas belonged to my great uncle Ben Stephens who had come out to Australia as a teenager from England. He worked on properties , living in old huts, fencing and so forth.
My mother in law could not afford new blankets and was a very thrifty person and made do with what she could and made the rugs out of old jumpers cut up and crocheted around with wool unpicked from other old jumpers. Some she had picked up from the town dump. Some were jumpers she had knitted for her grand children and had shrunk as well as growing out of them. I had given them back to her for the rugs. I think the last one she made and the one I have were made about 1975. She had made Waggas with bags and blankets too.
My Mother did too as during the war and with coupon rationing she had to make do with what she could. She made all our underclothes from white flour bags boiled up to get the name off the bags. Mum made all her own bread so she had plenty of bags.
My great aunty Adelaide did too and made us children strip corn husks to make mattresses. They made plenty of noise when one turned over on them. The old saying hard work never killed anyone as my aunt lived well into her nineties, nearly made 100 and so did her sister. They lived on the land working dairy farms through two world wars and the depression.
P.S. I did not use the Wagga to cover up plants from the frost this winter, have packed it away."
[Muriel Hartmann 1997]

Related Quilts:

Ida Blenkiron
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
Old Government House
Patchwork quilt in Log Cabin pattern made from silks, velvet, cottons and taffetas, in prints and plain, around a centre squares of black velvet. Colours are, in the dark sections, blues, greens, browns, yellow and pinks. The base of the blocks is blue and white ticking. The padding is probably cotton. Backing is of green cotton. There is an attached frill on all sides of green cotton, faded to dull light brown.
1630 x 1350mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm