Quilt No.938AWM - Australian War Memorial

Australian War Memorial
Owner: 
Australian War Memorial
Location: 
ACT
Maker
Maker: 
Changi Prison Interneed
Made in
SINGAPORE Changi Prison
Date: 
1941 - 1970
Description: 
"Quilt made up of 66 embroidered squares, each 'signed' in embroidery with the maker(s) name. All the squares are edged with turkey red chain-stitch. The squares are bounded by a broad white cotton border, and the same material has been used as a backing. The back of the quilt has black embroidery stating 'Presented by the women of Changi internment camp 2602 (the number of the Japanese year corresponding with our 1942) to the wounded Nipponese soldiers with our sympathy for their suffering. It is our wish that on the cessation of hostilities that this quilt be presented to the Japanese...
History: 

This quilt is one of 2 signature quilts made by some of the 400 civilian internees in Changi Prison during the first 6 months of their captivity, from March 1942. They were made for the Australian Red Cross and the Japanese equivalent and are at the Australian War Memorial. A third quilt is held by the British Red Cross. It was hoped that the Japanese Red Cross quilt might sway their captors to send the first quilt to Australia. However the authorities returned both quilts to Colonel Collins the senior medical officer, who gave them to Colonel R.M.Webster the medical officer in charge of the Australians at the hospital at Kranji, with the request that one should go to the Australian Red Cross and the other to Colonel Webster's wife. Both were donated to the Australian War Memorial, the latter in 1968 by Mrs. Webster.

Story: 

The quilts were the idea of a Canadian internee, Mrs. Ethel Mulvaney, who had been a Red Cross representative in Singapore. Making the quilts was designed to alleviate boredom, boost morale and pass information to men in other camps. Each woman was asked to put something of herself into her square. "The quilt for the Japanese was more carefully considered and the squares, with the exception of the one made by American missionaries giving a Psalm reference, contain no messages, only scenes (mainly floral) that the makers thought would be acceptable to the Japanese���.
Two squares on this quilt have an Australian connection. Square 33, made by Helen Beck, the wife of an Englishman serving with the Malay Police (the Becks had spent a holiday in Western Australia in 1941; both were interned by the Japanese), and square 66, made by Clarice Hancock, a Eurasian girl with an Australian father."
[Australian War Memorial]

Related Quilts:

Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm