Quilt No.938AWM - Australian War Memorial

Australian War Memorial
Owner: 
Australian War Memorial
Location: 
ACT
Maker
Maker: 
Changi Prison Interneed
Made in
SINGAPORE Changi Prison
Date: 
1941 - 1970
Description: 
"Quilt made up of 66 embroidered squares, each 'signed' in embroidery with the maker(s) name. All the squares are edged with turkey red chain-stitch. The squares are bounded by a broad white cotton border, and the same material has been used as a backing. The back of the quilt has black embroidery stating 'Presented by the women of Changi internment camp 2602 (the number of the Japanese year corresponding with our 1942) to the wounded Nipponese soldiers with our sympathy for their suffering. It is our wish that on the cessation of hostilities that this quilt be presented to the Japanese...
History: 

This quilt is one of 2 signature quilts made by some of the 400 civilian internees in Changi Prison during the first 6 months of their captivity, from March 1942. They were made for the Australian Red Cross and the Japanese equivalent and are at the Australian War Memorial. A third quilt is held by the British Red Cross. It was hoped that the Japanese Red Cross quilt might sway their captors to send the first quilt to Australia. However the authorities returned both quilts to Colonel Collins the senior medical officer, who gave them to Colonel R.M.Webster the medical officer in charge of the Australians at the hospital at Kranji, with the request that one should go to the Australian Red Cross and the other to Colonel Webster's wife. Both were donated to the Australian War Memorial, the latter in 1968 by Mrs. Webster.

Story: 

The quilts were the idea of a Canadian internee, Mrs. Ethel Mulvaney, who had been a Red Cross representative in Singapore. Making the quilts was designed to alleviate boredom, boost morale and pass information to men in other camps. Each woman was asked to put something of herself into her square. "The quilt for the Japanese was more carefully considered and the squares, with the exception of the one made by American missionaries giving a Psalm reference, contain no messages, only scenes (mainly floral) that the makers thought would be acceptable to the Japanese���.
Two squares on this quilt have an Australian connection. Square 33, made by Helen Beck, the wife of an Englishman serving with the Malay Police (the Becks had spent a holiday in Western Australia in 1941; both were interned by the Japanese), and square 66, made by Clarice Hancock, a Eurasian girl with an Australian father."
[Australian War Memorial]

Related Quilts:

Marian Russell
Patchwork quilt made from squares of wool, cotton, tweed, corduroy, tartan and stretch knit fabrics. Colours are mainly reds, greens, blues, pink and orange, mostly solid colours with some checks, stripes and florals. Padding is an open weave hessian material. Backing is a loosely woven cotton, pieced, buff coloured with a woven red and orange thread. Machine pieced, machine quilted in a large rectangle.
1601 x 915mm
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking, joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
National Trust of Australia (NSW)
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm
National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.
Ida Blenkiron
Wholecloth quilt made from turquoise and red plaid brushed cotton, with a filling of a marcella bedspread with cut up pieces of knitted and crocheted garments stitched on top by hand and machine. Garment pieces are pink, red, yellow, black and pastels. Sleeves, collar and pockets can be clearly seen. Backing is an old blanket.