Quilt No.291PC - Patricia Cmielewski

Patricia Cmielewski
Owner: 
Patricia Cmielewski
Location: 
SA
Maker
Maker: 
Mary Ann Sly
Made in
AUSTRALIA SA
Date: 
1921 - 1940
Description: 
Crazy patchwork quilt made from silk and cotton fabrics, in patterns and plains, in bright colours. Patches are arranged around a central diamond shaped patch in yellow which is bordered with light blue. All seams are covered with featherstitch and herringbone stitch. Patches were stitched onto a calico backing. A recent calico backing ahs been added and dark blue binding attached to the edge. No padding.
1555 x 910mm
History: 

Made by Mrs Mary Ann Sly of Rendelsham, near Millicent (SA), probably in the 1930s. It was given to Mrs Cecilia Polkinghorne in the late 1930s. Now owned by Cecilia's daughter Mrs Patricia Cmielewski.

Story: 

"� For some years it was used on a grand-daughter's bed. I would think it would probably be called a Depression quilt as this was the period in which it was made and the materials are very varied. �
It was in generally good condition but had some damage to three silk fabrics which were replaced by new fabrics in October 1988 by a professional textile conservator � The quilt was lined with calico at this time also and the outer edges were bound. Velcro has been stitched to the lining so it can be hung up. ����..

Unfortunately there is not much recorded about Mrs Sly. She was Mary Ann Sly, wife of Henry Richard Sly and died at Millicent South Australia on 29/7/1959 aged 85 years. Her place of birth is unknown. Her husband, Henry, was employed by the South Australian Railways in the Far North of the State, and they came to Rendelsham in the South East of South Australia when he was transferred there by the Railways in 1914. Mr & Mrs Sly had three sons - Harold, who farmed in the Rendelsham district, Roy, who served in the RAAF in World War II, and Ernest, who was a painter.
Roy was a friend of our family and during his time in the RAAF in World War II he invented a potato-digger which the Army Inventions Directorate was developing to help the war effort. The war finished before it was in production and plans for its development were dropped."
[Patricia Cmielewski September 1999]

Related Quilts:

National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Ida Blenkiron
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
Griffith Pioneer Park Museum
Patchwork quilt made from hexagon patches of cotton, silk, brocade, sateen and wool. Some silk patches are individually lined. Colours are mainly red, blues, purple, black, yellow and brown, with some pastels. Many silk patches have disintegrated, showing the paper templates. Quilt has a brown cotton inner lining, then a blue cotton backing, and is edged on the reverse with checked silk. Hand sewn by more than one person: one experienced sewer, one not so experienced.
1370 x 1170mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.