Quilt No.229SM - Stansbury Museum

Owner: 
Stansbury Museum
Location: 
SA
Maker
Maker: 
Hazel Colwell
Made in
AUSTRALIA SA
Date: 
1941 - 1970
Description: 
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
History: 

Made by Hazel Colwell for the Stansbury Museum when it opened in 1972 in Stansbury (SA). Owned by the Stansbury Museum.

Story: 

"Hazel Colwell (born Bowman) was born at Kadina (SA) on 7 February 1900, and died 25 March 1995. Parents Mary and Alfred Bowman lived on the farm at Weavers until 1922 when the family moved to Adelaide, returning to Stansbury in 1924.
Hazel attended the Stansbury school, the first 3 years she boarded with a family in Stansbury and went home on weekends. The next four years she rode a pushbike the 12 kms every day sometimes scoring a ride home with the Brentwood mail driver. In those days the mail came to Stansbury by steamer and the Brentwood man came across to collect the mail.
Hazel was baptised into the membership of the Stansbury Methodist Church (now Uniting) in 1916 and from then on she became a dedicated member of the church community in all its aspects. She was for over 50 years a member of the teaching staff of the Sunday School, was leader of the young worshippers league for 20 years. Hazel was a very active member of the ladies guild.
On 28 January 1928 she married husband Bruce and in 1930 son Barry was born.
She was involved in many community activities as a very keen member of the Dalrymple Camera Club, won many awards for high quality pictures and gave a great deal of pleasure to many people with her coloured slides. �
She was also an active member of the School Welfare Club. She assisted the V.S.D. (volunteer Services Department) with the war effort contributing her sewing skills, following on to Red Cross activities.
Along with other members Hazel was instrumental in founding the Stansbury Museum and saving the old school house from demolition to retain memories of the past as we see it today.
Hazel was very active in establishing the artifacts displayed, many of them being donated by her including her original camera. She set up the dolls section and old frocks as well����."
[Extract from Hazel Colwell's Obituary]

Related Quilts:

Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Sharon Lord
Cotton quilt, machine sewn and hand quilted. Pattern similar to Double Irish Chain. The background is white and the small squares mainly patterned in pinks, blues, lilacs and greens. The backing is plain white cotton and the padding, which is lumpy, could be some type of cotton.
2057 x 1220mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
Ella Jarvis
Quilt made with a rectangular centre panel of cotton fabric printed with red poppies and black flowers in a japanese style. The panel is surrounded by a wide black satin border. The backing is of black cotton, covering a previous backing of green floral cotton fabric. The padding is feathers.
1700 x 1370mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm