Quilt No.544KG - Kristine Gray

Kristine Gray
Owner: 
Kristine Gray
Location: 
NSW Sydney
Maker
Maker: 
Bessie Gray
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
The quilt top is large patches of random machine pieced reused clothing. The material for the red check binding was purchased at Green and Petrich, Haberdashery, Queen street, St. Mary's. The backing is an old sheet and the padding is an old woollen cream blanket.
1400 x 1100mm
History: 

This quilt was made for warmth by Bessie Gray at St. Mary's in 1950. Bessie gave it to her daughter Kristine. It was used in the garage over the radiator of the car but is now carefully stored at Kristine's home.

Story: 

Robert (1857-1935) and Margaret (1865-1950) Mays were married at Hartley NSW in 1884. Robert came to Australia from Norfolk (England) in 1879. Margaret was the daughter of Samuel Perry a convict transported to Australia in 1835. They were pioneers of the Rydal district near Lithgow NSW. Robert and Margaret had 12 children.
Margaret (Maggie) (1897-1981) was a daughter of Robert and Margaret Mays. She and Arthur Flint were married in 1919 and moved to Bassett Downs a sheep station at Cowra NSW where Arthur worked on the property and Maggie cooked for farm labourers and shearers. They had 4 children. Maggie made her own soap, preserves, jams, pickles, sauces bread etc. just as her mother and sisters did. She also made all her children's clothes on a treadle sewing machine. Like her mother she had neither electricity nor running water in her home.
Bessie (born 1925)is a daughter of Margaret and Arthur Flint and grew up at Bassett Downs and lived there until she was 20 years old. She cooked for the shearers and did a man's job during the war, mustering, killing sheep, milking cows etc. She also learnt unarmed combat. Bessie married Ian Hamilton Gray in 1946 and they moved to the St. Mary's district NSW where they had 4 girls. This was the first time she had electricity and running water. Bessie ran the school canteen for 10 years, made her own pickles, jams, preserves etc. She also knitted , crocheted, embroidered and made all the children's clothes. Kristine, her daughter, remembers having her first bought dress when she was 13. Bessie is still an active needlewoman, knitting and crocheting for her grand children and Mission Austeralia. She has passed on her considerable skills to her daughters just as she learnt from her mother, Margaret Flint, who in turn had learnt from her mother, Margaret Mays.
Most of the quilts registered with the NQR were made by Bessie Gray at her home at St. Marys on a treadle sewing machine. All the quilts were made of necessity. Scraps left over from making the children's clothes were often joined when the garment was finished with and put away until there were enough joined pieces to make a quilt. The very heavy ones were called 'Waggas' and the others 'rugs' or 'blankets'. Many of the quilts were made in one large piece and then folded over. Bessie and Kristine Gray can still recall which garments many of the scraps came from.
The quilts are valued and will be handed on in the family with pride.

[Notes taken from family history accounts by Kristine Gray and also conversations Bessie Gray, Kristine Gray and Wendy Hucker (NQR) in Wagga Wagga on 2/3 October 1999]

Bessie outside the house where she grew up, 1998
Bessie outside the house where she grew up, 1998

Related Quilts:

Marian Russell
Patchwork quilt made from squares of wool, cotton, tweed, corduroy, tartan and stretch knit fabrics. Colours are mainly reds, greens, blues, pink and orange, mostly solid colours with some checks, stripes and florals. Padding is an open weave hessian material. Backing is a loosely woven cotton, pieced, buff coloured with a woven red and orange thread. Machine pieced, machine quilted in a large rectangle.
1601 x 915mm
Muriel Mackenzie
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. Machine sewn and quilted.
1677 x 1144mm
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
Giuliana Bond
Log cabin quilt, machine pieced and assembled. Some fabrics are pieces from family dresses, with mauve crepe used throughout. The pale side of each block is silk taffeta and other silk pieces. Padding is flannelette, and backing is cream muslin from a petticoat of the present owner, worn when she was bridesmaid to an aunt and uncle. 1000 x 630 mm.
The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm