Quilt No.584NP - Nini Priestely

Owner: 
Nini Priestely
Location: 
NSW Riverina
Maker
Maker: 
Lillian furze
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
History: 

The quilt was made by Lillian Furze in Melbourne for the marriage of her daughter Nini in 1959. It is still owned by Nini. It is not used now.

Story: 

"Lucy Lillian Cock was born at Baringhup in April, 1908, horse and buggy days. Family moved to Camberwell then to William Street, Brighton near 'Castlefield', a grand home and property owned by her grandfather. She attended 'Firbank' Grammar school, later became a dressmaker and model. At 30 she married William (Bill) Crivelli, they moved to Cranbourne. He took Lord Casey's place in Parliament while Lord Casey went to War. Bill died 1949. Lilly then ran a boarding house in Brighton. They had 2 daughters. Margaret married and lives in England and Nini who attended Yooralla in Carlton. The quilt was made for Nini when she married Les Baxter in 1959. Les died 1996, Nini remarried in 1998. Lillian remarried in 1960 to Noel Furze, she died on 4/11/1997."
[Valda Martin 1999]

Nini Priestely holding the quilt made by her mother 1999
Nini Priestely holding the quilt made by her mother 1999
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971

Related Quilts:

Annette Gero
Quilt made from furnishing materials some with mettalic flecks. It is machine sewn.
160 x 135mm
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
Mare Carter
Patchwork quilt, all cotton including cotton padding. 'Tree of Life' pattern. All 'Trees' are on white squares and are red or blue. Alternating squares are fawn or white. Simple diagonal quilting. Hand stitched.
1880 x 1728mm
Mare Carter
Patchwork quilt, all cotton including cotton padding. Pattern is based on squares and a cross. Variety of fabrics, plain and patterned. Hand stitched and quilted.
2083 x 1626mm