Quilt No.584NP - Nini Priestely

Owner: 
Nini Priestely
Location: 
NSW Riverina
Maker
Maker: 
Lillian furze
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
History: 

The quilt was made by Lillian Furze in Melbourne for the marriage of her daughter Nini in 1959. It is still owned by Nini. It is not used now.

Story: 

"Lucy Lillian Cock was born at Baringhup in April, 1908, horse and buggy days. Family moved to Camberwell then to William Street, Brighton near 'Castlefield', a grand home and property owned by her grandfather. She attended 'Firbank' Grammar school, later became a dressmaker and model. At 30 she married William (Bill) Crivelli, they moved to Cranbourne. He took Lord Casey's place in Parliament while Lord Casey went to War. Bill died 1949. Lilly then ran a boarding house in Brighton. They had 2 daughters. Margaret married and lives in England and Nini who attended Yooralla in Carlton. The quilt was made for Nini when she married Les Baxter in 1959. Les died 1996, Nini remarried in 1998. Lillian remarried in 1960 to Noel Furze, she died on 4/11/1997."
[Valda Martin 1999]

Nini Priestely holding the quilt made by her mother 1999
Nini Priestely holding the quilt made by her mother 1999
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971

Related Quilts:

Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
Colleen Whitaker
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
Lyn Cottingham
Single bed quilt hand pieced from silk hexagons using the English method. The border, backing and central rosette of hexagons are black. All other hexagons are a mixture of plain colours, stripes and florals. They are randomly placed. It is quilted in a diamond pattern. The padding is a thin cotton woven material.
1550 x 1330mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm