Quilt No.584NP - Nini Priestely

Owner: 
Nini Priestely
Location: 
NSW Riverina
Maker
Maker: 
Lillian furze
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
History: 

The quilt was made by Lillian Furze in Melbourne for the marriage of her daughter Nini in 1959. It is still owned by Nini. It is not used now.

Story: 

"Lucy Lillian Cock was born at Baringhup in April, 1908, horse and buggy days. Family moved to Camberwell then to William Street, Brighton near 'Castlefield', a grand home and property owned by her grandfather. She attended 'Firbank' Grammar school, later became a dressmaker and model. At 30 she married William (Bill) Crivelli, they moved to Cranbourne. He took Lord Casey's place in Parliament while Lord Casey went to War. Bill died 1949. Lilly then ran a boarding house in Brighton. They had 2 daughters. Margaret married and lives in England and Nini who attended Yooralla in Carlton. The quilt was made for Nini when she married Les Baxter in 1959. Les died 1996, Nini remarried in 1998. Lillian remarried in 1960 to Noel Furze, she died on 4/11/1997."
[Valda Martin 1999]

Nini Priestely holding the quilt made by her mother 1999
Nini Priestely holding the quilt made by her mother 1999
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971

Related Quilts:

Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
Mary Robertson
The suffolk puffs are mainly cotton in a wide variety of colours and plain and patterned materials. The puffs are small squares rather than the more usual circles. The backing is teal satin hand stitched to the top. There is a teal bow at one end. There is no padding.
1570 x 1100mm
Mrs Joan McGregor
Large and small pieces, mainly rectangles and mainly cottons, machine sewn. One side has replacement materials in red check, brown, tan, blue and pink materials. The padding is an old woollen blanket.
1950 x 1327mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm