Quilt No.624PWH - The Pioneer Women's Hut

Owner: 
The Pioneer Women's Hut
Location: 
NSW Riverina
Maker
Maker: 
Catherine Anderson
Made in
AUSTRALIA NSW
Date: 
1901 - 1920
Description: 
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
History: 

The quilt was made by Catherine Anderson of 'Selby Grange' Brockelsby NSW between 1912 and 1827. It was used in Catherine and Robert's home until 1945 when it passed to their son Jack and his wife Evelyn and later their daughter Joan (Hooper) who donated it to The Pioneer Women's Hut. It is displayed occasionally at the museum.

Story: 

Catherine Anderson (born Knese) lived with her husband Robert, and their son, John Henry (Jack) in a wattle and daub house on 'Selby Grange' at Brocklesby, NSW from 1912 to 1927. The quilt was made for general use. When Catherine and Robert retired to Albury they also used the quilt in their new home. Following their deaths in 1945 the quilt was used in Jack's house, with his wife Evelyn and daughter Joan. When Joan married (Hooper) in 1949 she took the quilt and used it mainly while caravanning with young children in the 1950s, 60s and 70s.

Family wedding group. Catherine Anderson on the right. 1926
Family wedding group. Catherine Anderson on the right. 1926
The house Catherine and Robert retired to in Albury
The house Catherine and Robert retired to in Albury

Related Quilts:

Joanne Pedler
Crazy patchwork cot quilt made from a wide variety of materials, patterned and plain. Some seams are overstitched with feather stitch and herringbone. One of a pair. There is no padding. The backing is taffeta.
1500 x 2000mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Rosemary Blake
Single bed quilt made from sugar bags stitched together covered with a ticking type fabric. This inner layer is then covered with muslin, dyed yellow. It is similar in construction to 80RB but much lighter as the sugar bags are lighter than the heavy jute potato bags.
1520 x 990 mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.
Darla Taylor
Double sided patchwork quilt. Both sides have central frame surrounded by borders. Side 1 has diamond of squares set in a square frame 490mm. Borders are squares and triangles. Side 2 is central frame of squares on point surrounded by plain grey velvet border then marroon border. Materials are cottons, silks, velvet, crepe, rayons in a wide variety of colours and apperned and plain. Machine construction. No quilting. Padding is a cream wool blanket.
1440 x 1420mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm