Quilt No.624PWH - The Pioneer Women's Hut

Owner: 
The Pioneer Women's Hut
Location: 
NSW Riverina
Maker
Maker: 
Catherine Anderson
Made in
AUSTRALIA NSW
Patterms
Patchwork, Mosaic, Typically Australian, Tailors' samples
Date: 
1901 - 1920
Description: 
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
History: 

The quilt was made by Catherine Anderson of 'Selby Grange' Brockelsby NSW between 1912 and 1827. It was used in Catherine and Robert's home until 1945 when it passed to their son Jack and his wife Evelyn and later their daughter Joan (Hooper) who donated it to The Pioneer Women's Hut. It is displayed occasionally at the museum.

Story: 

Catherine Anderson (born Knese) lived with her husband Robert, and their son, John Henry (Jack) in a wattle and daub house on 'Selby Grange' at Brocklesby, NSW from 1912 to 1927. The quilt was made for general use. When Catherine and Robert retired to Albury they also used the quilt in their new home. Following their deaths in 1945 the quilt was used in Jack's house, with his wife Evelyn and daughter Joan. When Joan married (Hooper) in 1949 she took the quilt and used it mainly while caravanning with young children in the 1950s, 60s and 70s.

Family wedding group. Catherine Anderson on the right. 1926
Family wedding group. Catherine Anderson on the right. 1926
The house Catherine and Robert retired to in Albury
The house Catherine and Robert retired to in Albury

Related Quilts:

Alicia Murdoch
Quilt No.680AM - Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
Patchwork, Frame
Heather Roobol
Quilt No.338HR - Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
Patchwork, Frame
Pam Clifford
Quilt No.373PC - Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Patchwork, Mosaic, Square
Irene Pascoe
Quilt No.417IP - Irene Pascoe
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
N.S.W. Parks and Wildlife Service
Quilt No.559NPW - N.S.W. Parks and Wildlife Service
The top has a segmented circle in the centre surrounded by a border of small rectangles. The circle is featherstitched on to the background. Materials are wools and cottons and it is hand pieced. The other side appears to have been originally men's suiting materials strip pieced. It is now covered with a children's print in light cotton joined in long rectangles. The padding is coarse heavyweight cotton.
1410 x 1080mm
Patchwork, Frame
National Gallery of Australia
Quilt No.965NGA - National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Patchwork, Mosaic, Hexagon