Quilt No.676MH - Margaret Hedges

Margaret Hedges
Owner: 
Margaret Hedges
Location: 
VIC North West
Maker
Maker: 
Charlotte Augusta Barber
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Crazy patchwork quilt with small patches in velvet, silk, brocade and cottons most with hand embroidery over the seams. There are many motifs such as flowers, butterflies, birds also dates, initials and names of local properties. It is padded with a thin soft material and the replacement backing (old) is satin. There is a wide rose coloured frill on all sides.
1680 x 1380mm
History: 

The quilt was made by Charlotte Augusta Barber (born Meara) probably at the property 'Mt. Taurus' or in Warrnambool in the latter part of last century. It was then owned by Charlotte Hedges, an aunt of the present owner, and now by Margaret Hedges the great grand-daughter of Charlotte Meara. It is not used now.

Story: 

Charlotte Augusta Meara was born c.1815 and went to Van Dieman's Land in 1836 later crossing over to Belfast (now Port Fairy). In 1849 she and George Barber were married and lived in Port Fairy until 1855 when they moved to the neighbouring town of Warrnambool where George Barber established himself as a solicitor. They had 3 children Anthony, Louisa Ann and Ann Eliza. After practising in Warrnambool for a number of years George and Charlotte retired to a beautiful grazing property called 'Mount Taurus Estate'. George Barber died in 1897. Charlotte moved to Warrnambool and died in 1908.

Related Quilts:

Barbara McCabe
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
Kay Jones
Quilt top with English piecing in a star in polygon pattern. English and French cotton fabrics in a wide variety of patterns and plains constructed over papers with the tacking still in tact. Papers are mainly part envelopes some with stamps and post dated 1898. 2200 x 1800mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
National Trust of Australia (NSW)
The body of this quilt is hexagons. This centre piece is surrounded by an applique border of birds and flowers and donkeys on see-saws. The flowers have been elaborately pieced from a great variety of materials. Some of the birds have pres studs for eyes.