Quilt No.72MC - Mare Carter

Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
History: 

This quilt was made by Eva Leota Towe in southern California, U.S.A just prior to 1930. It was made before the birth of her grand-daughter Mary (now Mare Carter the present owner). It has never been used. In 1950 Mare came to Australia. In 1953 Eva died. "In 1960 my mother brought me grandmother's legacy, her handworks including the quilts, when she visited Australia".

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground, 1998]

Eva with grand-daughter
Eva with grand-daughter

Related Quilts:

The Pioneer Women's Hut
The quilt is constructed from machine pieced diamond shaped striped flannel materials. The backing is the same. The padding is not visible but is thought to be worn out woollen clothing, unpicked and ironed flat.
1520 x 970mm
Albury Regional Museum
Patchwork cot quilt, machine pieced, rectangular, 5 x 4 squares. Assorted fabrics including seersucker, corduroy, printed and plain cottons. White ric-rac braid and zigzag machine stitching accentuate rows. Edge of white cotton tape. Backing is single flour bag, calico, with maker's printing visible through patchwork: 'Tiger. Best Australian Roller Flour. Mala Foot. Sole Supply. Part of Kuala Lumper' and Chinese characters.
674 x 540mm
Annette Gero
Quilt made from furnishing materials some with mettalic flecks. It is machine sewn.
160 x 135mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm