Quilt No.695HL - Heather Leonard

Heather Leonard
Owner: 
Heather Leonard
Location: 
VIC Melbourne
Maker
Maker: 
Hilda Kyffin
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
History: 

This blanket was made by Hilda Kyffin at her house in Moorabbin sometime post war. It is made from a great coat worn by her husband during the second world war. It was used to cover Hilda's double bed mattress against winter chills until 1985. It is now owned by her daughter and is not used.

Story: 

"My mother was incredibly resourceful having come from a family of seven children and struggled through the depression and the war. She had great respect for 'proper woollen material' which was strictly rationed in wartime����
My mother joined the Moorabbin Country Women's Association after the war and was a back bone member until 1985. She was active in crafts and charity work with them. Fortunately I have been able to save many examples of their traditional craft which she made. Re-using things was their stock in trade."
[Heather Leonard 20.10.2000]

Major Powell James Kiffin MC who owned the great coat
Major Powell James Kiffin MC who owned the great coat
Hilda Kiffin
Hilda Kiffin
The post war Housing Commission house at Moorabbin
The post war Housing Commission house at Moorabbin

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm
Robert Constable
Hand embroidered pink silk quilt with white embroidery. Wide border of hand made lace thought to be French late 18th century. Cream silk backing and very thin padding.
2700 x 2400mm