Quilt No.194FW - Fred Wood

Fred Wood
Owner: 
Fred Wood
Location: 
VIC North East
Maker
Maker: 
Charlotte Gambold
Made in
AUSTRALIA VIC
Date: 
1901 - 1920
Description: 
Patchwork quilt made from a variety of printed cottons over 70 prints, using shirting and dress fabrics, fabrics also from pyjamas, curtains, aprons, tablecloths. The centre medallion is a square within a square with white borders, the inner frame made of sawtooth triangles. This is surrounded by pieced triangles, square within a square and crosses. Outer frame of sawtooth triangles, and outer border pieced of squares and triangles. Colours are pinks, blues, burgundy and pastels, with floral, stripe and check prints. Lining of cotton. Backed with a printed cotton. Quilt is bound on all edges.
...
History: 

Made by Charlotte Gambold, c.1900. Previously owned by Mrs Vera Banning, daughter of Charlotte Gambold's sister Elizabeth Bennett. Owned by Charlotte's grand nephew, nephew of Vera Banning.

Story: 

"Charlotte Gambold arrived in the Wangaratta district at about 6 years of age, the eldest of three children, with her parents, Thorres and Mary Gambold, in 1866. Later, her father was a molybdenite miner (this mineral was, and still is, used in the hardening of steel).
When her sister Elizabeth married Mr AH Bennett of 'Highfield', Evarton Upper, Victoria, in 1893 we can only surmise that Charlotte planned a medallion quilt for the happy couple. When it was actually commenced, and when it was finally completed is lost in history, but the quilt has remained in the family throughout its existence. Whether Charlotte designed it from scratch or had seen one of this type of quilt is also lost to us unfortunately. ...
This marvellous Australian quilt is in the possession of a grand nephew of Milawa Victoria, and is in very good condition. He inherited it from his aunt, Mrs Vera Banning, who died in 1994, aged 94. Vera inherited it from her mother, Elizabeth, the 1893 bride, about 1954, when she lived in Cusack Street, Wangaratta. Charlotte died in t he 1950s, and is buried in the Bowman's Forest cemetery, on the Wangaratta/Myrtleford Road.
Charlotte's grand nephew and his brother, both had quilts made for them by their Aunt Charlotte and they remembered seeing this quilt when they were young boys and then forgetting all about it. Their own quilts have long worn out and no longer exist� Their cousin, George Bennett, had one given to him by his mother when he was eight or nine. These quilts were made out of ties and bits of men's materials, and were warm and practical for the boys' sleepout.
Mrs Joan Wood, Milawa, thinks Charlotte made many quilts and had a little business of quiltmaking, as she was a maiden lady, and liked to keep herself occupied."
[From article by Brenda Leitch, 1995, in 'Down Under Quilts', Spring 1995, p.20]

Related Quilts:

Narelle Grieve
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
Annette Gero
Utilitarian quilt made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1570 x 152Omm
Albury Regional Museum
Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.