Quilt No.194FW - Fred Wood

Fred Wood
Owner: 
Fred Wood
Location: 
VIC North East
Maker
Maker: 
Charlotte Gambold
Made in
AUSTRALIA VIC
Date: 
1901 - 1920
Description: 
Patchwork quilt made from a variety of printed cottons over 70 prints, using shirting and dress fabrics, fabrics also from pyjamas, curtains, aprons, tablecloths. The centre medallion is a square within a square with white borders, the inner frame made of sawtooth triangles. This is surrounded by pieced triangles, square within a square and crosses. Outer frame of sawtooth triangles, and outer border pieced of squares and triangles. Colours are pinks, blues, burgundy and pastels, with floral, stripe and check prints. Lining of cotton. Backed with a printed cotton. Quilt is bound on all edges.
...
History: 

Made by Charlotte Gambold, c.1900. Previously owned by Mrs Vera Banning, daughter of Charlotte Gambold's sister Elizabeth Bennett. Owned by Charlotte's grand nephew, nephew of Vera Banning.

Story: 

"Charlotte Gambold arrived in the Wangaratta district at about 6 years of age, the eldest of three children, with her parents, Thorres and Mary Gambold, in 1866. Later, her father was a molybdenite miner (this mineral was, and still is, used in the hardening of steel).
When her sister Elizabeth married Mr AH Bennett of 'Highfield', Evarton Upper, Victoria, in 1893 we can only surmise that Charlotte planned a medallion quilt for the happy couple. When it was actually commenced, and when it was finally completed is lost in history, but the quilt has remained in the family throughout its existence. Whether Charlotte designed it from scratch or had seen one of this type of quilt is also lost to us unfortunately. ...
This marvellous Australian quilt is in the possession of a grand nephew of Milawa Victoria, and is in very good condition. He inherited it from his aunt, Mrs Vera Banning, who died in 1994, aged 94. Vera inherited it from her mother, Elizabeth, the 1893 bride, about 1954, when she lived in Cusack Street, Wangaratta. Charlotte died in t he 1950s, and is buried in the Bowman's Forest cemetery, on the Wangaratta/Myrtleford Road.
Charlotte's grand nephew and his brother, both had quilts made for them by their Aunt Charlotte and they remembered seeing this quilt when they were young boys and then forgetting all about it. Their own quilts have long worn out and no longer exist� Their cousin, George Bennett, had one given to him by his mother when he was eight or nine. These quilts were made out of ties and bits of men's materials, and were warm and practical for the boys' sleepout.
Mrs Joan Wood, Milawa, thinks Charlotte made many quilts and had a little business of quiltmaking, as she was a maiden lady, and liked to keep herself occupied."
[From article by Brenda Leitch, 1995, in 'Down Under Quilts', Spring 1995, p.20]

Related Quilts:

Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm