Quilt No.194FW - Fred Wood

Fred Wood
Owner: 
Fred Wood
Location: 
VIC North East
Maker
Maker: 
Charlotte Gambold
Made in
AUSTRALIA VIC
Date: 
1901 - 1920
Description: 
Patchwork quilt made from a variety of printed cottons over 70 prints, using shirting and dress fabrics, fabrics also from pyjamas, curtains, aprons, tablecloths. The centre medallion is a square within a square with white borders, the inner frame made of sawtooth triangles. This is surrounded by pieced triangles, square within a square and crosses. Outer frame of sawtooth triangles, and outer border pieced of squares and triangles. Colours are pinks, blues, burgundy and pastels, with floral, stripe and check prints. Lining of cotton. Backed with a printed cotton. Quilt is bound on all edges.
...
History: 

Made by Charlotte Gambold, c.1900. Previously owned by Mrs Vera Banning, daughter of Charlotte Gambold's sister Elizabeth Bennett. Owned by Charlotte's grand nephew, nephew of Vera Banning.

Story: 

"Charlotte Gambold arrived in the Wangaratta district at about 6 years of age, the eldest of three children, with her parents, Thorres and Mary Gambold, in 1866. Later, her father was a molybdenite miner (this mineral was, and still is, used in the hardening of steel).
When her sister Elizabeth married Mr AH Bennett of 'Highfield', Evarton Upper, Victoria, in 1893 we can only surmise that Charlotte planned a medallion quilt for the happy couple. When it was actually commenced, and when it was finally completed is lost in history, but the quilt has remained in the family throughout its existence. Whether Charlotte designed it from scratch or had seen one of this type of quilt is also lost to us unfortunately. ...
This marvellous Australian quilt is in the possession of a grand nephew of Milawa Victoria, and is in very good condition. He inherited it from his aunt, Mrs Vera Banning, who died in 1994, aged 94. Vera inherited it from her mother, Elizabeth, the 1893 bride, about 1954, when she lived in Cusack Street, Wangaratta. Charlotte died in t he 1950s, and is buried in the Bowman's Forest cemetery, on the Wangaratta/Myrtleford Road.
Charlotte's grand nephew and his brother, both had quilts made for them by their Aunt Charlotte and they remembered seeing this quilt when they were young boys and then forgetting all about it. Their own quilts have long worn out and no longer exist� Their cousin, George Bennett, had one given to him by his mother when he was eight or nine. These quilts were made out of ties and bits of men's materials, and were warm and practical for the boys' sleepout.
Mrs Joan Wood, Milawa, thinks Charlotte made many quilts and had a little business of quiltmaking, as she was a maiden lady, and liked to keep herself occupied."
[From article by Brenda Leitch, 1995, in 'Down Under Quilts', Spring 1995, p.20]

Related Quilts:

Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Barbara McCabe
Patchwork quilt made of squares and rectangles in woollen fabric, stitched together without any particular pattern. Colours are mainly green, grey, blue, black, pink and some yellow. Fabrics are plain, checks and stripes. No padding, quilting or binding. Backing is a remnant of synthetic fabric. The quilt has been well sued and is very worn with fabric torn and marked in some places.
1400 x 400mm
Margery Creek
Cotton quilt made in the USA. The pattern is 'Double Irish Chain'. It is machine pieced and hand quilted. The backing is calico and the padding is cotton,
2134 x 2134mm
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from diamond patches in a variety of cotton materials set in a 'tumbling block' pattern. Patterns include geometrics, stripes, a 'Kate Greenway' print and colours are largely soft pastels, dark browns, with some reds and blues. The quilt has been cut down and a later border added. There is no padding and the backing is cream cotton.
2279 x 2000mm