Quilt No.3GW - Gladys V. Williams

Gladys V. Williams
Owner: 
Gladys V. Williams
Location: 
NSW Riverina
Maker
Maker: 
Gladys Williams
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm
History: 

Made by Gladys V. Williams who started the patchwork in 1937. The quilt completed in 1957. It won second prize in the Royal Sydney Show 1958, first prize Albury Spring Show 1958. The quilt is in regular use in summer months.

Story: 

"This quilt in the beginning was to be a cushion. I was visiting my parents in Launceston, Tasmania, Christmas 1936, when I acquired the first offcuts from my sister, who was a dressmaker, & was making Evening Gowns at the time.
We had two small sons, who were both asthmatics, and it was necessary to spend a lot of time with them. Our mother was an expert needlewoman and had passed on the interest to her daughters. From her Craft Books I became interested in Patchwork.
However, progress was slow and also there was the chase for the off cuts from different sources. When there was enough flowers for a cushion, I had the 'Bug' and kept on.
In 1939 the Second World War began and my husband enlisted in 1941. Before my marriage I was with the Commonwealth Public Service and was called back to work for War Years. So everything was packed away and stored.
The two boys were at school and as you may guess there was not very much spare time.
My husband was discharged September 1945 with War Disabilities, after service in the Middle East & Northern Aust. He took over the management of the family business, with which I was also involved. In 1948 a third son was born and it wasn't until the 1950's that I started up the Patchwork again.
The quilt was finally finished at the end of 1957. I have to thank my sister and many friends for the scraps of beautiful fabrics they collected for me.
I enjoy all kinds of needlework. At present I'm working on Textured Tapestry, using many of the 100 or so different stitches that are available. However, my real love is Hand Knitting and I always have a piece of knitting on the needles."
[Gladys Williams, NSW, 30.1.96]

Related Quilts:

Barbara McCabe
Patchwork quilt made of squares and rectangles in woollen fabric, stitched together without any particular pattern. Colours are mainly green, grey, blue, black, pink and some yellow. Fabrics are plain, checks and stripes. No padding, quilting or binding. Backing is a remnant of synthetic fabric. The quilt has been well sued and is very worn with fabric torn and marked in some places.
1400 x 400mm
Jean Winchester
Patchwork quilt of hexagon patches with a large central group of 14 rows, then groups or 'flowers' of 6 patches placed over the rest of the quilt. The colours are red, black, white and blue, in a mixture of stripes, florals and plains. No padding. Backing is a double bed sheet. Hand sewn.
2591 x 2566mm
Anne Langford
Hexagon quilt with rosettes centred in an all over diamond pattern. It is hand pieced and hand quilted. All the materials are either linen or pure cotton. The quilt is padded with batting (American) and the backing is floral cotton.
2360 x 1800mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
West Australian Quilters' Association
The quilt is a repeat block in the Ohio Star pattern in turkey red and cream. Quilted in squares in the cream block and diagonal lines in the star block. The fabric border is disintegrating. The backing is cream calico and the padding is cotton, badly degraded. 1940 x 1760mm.