Quilt No.125BF - Bud and Patricia Ford

Bud and Patricia Ford
Owner: 
Bud and Patricia Ford
Location: 
QLD South West
Maker
Maker: 
Mondi Gertrude Hortense Ford
Made in
AUSTRALIA QLD
Patterms
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Date: 
1941 - 1970
Description: 
A striped bush blanket with patches of used clothing. Originally covered with cretonne.
1829 x 1525mm
History: 

This utilitarian quilt (originally with cretonne cover) was made by Mondi Gertrude Hortense Ford at Miles Queensland for her husband Hugh Bird Ford father of the present owner Bud Ford. It was made for carrying in a swag. It is not used now and is stored in the shed at Aldersyde East "because my wife told me to get rid of it and I couldn't do it" [Bud Ford]

Story: 

"Bush blankets such as this one were usually coloured stripes on a dark grey base. They were inclined to be rough and probably made from low grade wool possibly either by Morris Mills of Ipswich or Bendigo or Geelong Mills." [Bud Ford]
Mondi Ford (born Fowles) 1893-1980, mother of the present owner, was the maker. She was the youngest sister of a brother who served in the Queensland Mounted Rifles during the Boer War. She spent time in China and Japan as hostess to her brother who was an honorary British Consul. "She was bored to death, luxury wasn't her style" [BF]. In 1921 she eloped with Hugh Bird Ford. They were married in Melbourne in the Anglican Cathedral with the verger and sweeper as witnesses. Mondi Ford was an accomplished musician and artist, a prolific correspondent. She was a needlewoman but hated cooking.

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
National Gallery of Australia
Quilt No.970NGA - National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Wholecloth, Embroidered and/or Appliqued, Pictorial
The Embroiderers' Guild of S.A.Inc Museum
Quilt No.930ESA - The Embroiderers' Guild of S.A.Inc Museum
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm
Patchwork, Pieced Repeat Block, Typically Australian, Motifs or Names
National Gallery of Australia
Quilt No.979NGA - National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Patchwork, Mosaic, Rectangle, Typically Australian, Tailors' samples
Bob Sloan
Quilt No.491BS - Bob Sloan
Double sided quilt made from all wool worsted suiting samples. Machine construction. There is no padding.
1840 x 1330mm
Patchwork, Pieced Random, Typically Australian, Tailors' samples