Quilt No.330JG - Jean Gilbert
Owner:
Jean Gilbert
Location:
QLD South West
Maker
Maker:
Augusta Craigie
Made in
AUSTRALIA NSW
Patterms
Date:
1921 - 1940
Description:
Patchwork quilt made from cotton, wool and synthetic upholstery fabrics cut in rectangles, stitched in strips then sewn in rows. Down each side is a wide border of beige wool. Colours are soft mainly pinks, blues and light browns, in florals and self patterns. No padding. Backing is blue cotton. Fabrics may have been used for bedspreads as well as for upholstery.
1956 x 1194mm
1956 x 1194mm
History:
Made by Augusta Ruby Craigie (born West) at Kanwall, near Wyong, NSW, in the 1930s. Known as 'the wagga rug'. Owned by Augusta Craigie, then her daughter Jean "Bonnie" Gilbert (born Craigie), then passed on to the current owner, Augusta's granddaughter and Bonnie's daughter, Rhonda Graham (born Gilbert), in Toowoomba (Qld).
Story:
Made for a weekender, which had six double canvas bunks, and a quilt was made for each bunk. Augusta's brother-in-law was a tailor and her sister a tailoress, so many 'wagga' rugs were made from tailors' samples for the weekender.
Bonnie Gilbert, brother Charles Craigie with quilt
Related Quilts:
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
2200 x 2000mm
Machine pieced crazy patchwork quilt in plain, floral and striped cotton materials. Some pieces are seamed and others are sewn direct on to calico backing. Each piece is outlined in red stranded cotton in herringbone stitch.
2150 x 1770mm
2150 x 1770mm
Quilt top. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1860 x 1760mm
1860 x 1760mm
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
2480 x 1420 mm
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm
2010 x 1910mm