Quilt No.421JB - Joan Bradford

Joan Bradford
Owner: 
Joan Bradford
Location: 
QLD South Coast
Maker
Maker: 
Hazel Eastwell
Made in
AUSTRALAIA QLD
Date: 
1941 - 1970
Description: 
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
History: 

This utility quilt was made in the 1940s by Hazel Eastwell (born Gallagher in 1914). It was given to the present owner when they first bought their farm and were camping in a shed. It is not used now.

Story: 

Hazel Eastwell made this quilt on a treadle Singer sewing machine. Joan Bradford commented that Hazel sewed because she had to. She made clothes for the children and quilts, did mending and patching and helped run a dairy.

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
 Hilary Williams
Wholecloth quilt of fine cream homespun embroidered with stranded cotton in 2 shades, brown and buff, with gold highlights. It is a cross stitch floral pattern which was stamped on the homespun. The self coloured quilting is mostly in straight lines with a fern design border. The quilt has a bound edge.
2460 x 1670mm
Queen Victoria Museum and Art Gallery
Wholecloth quilt with one side cream wool and one side faded red wool. Red wool is joined with 3 seams by loom length; red appears to be cochineal dyed. Cream wool side appears to have been made from a hand woven blanket with blue selvidge on 2 sides. It is hand quilted in red wool thread; Welsh patterns including clamshell, Welsh pear, snail or spiral. Centre frame has 2 cable borders and the centre corners have fans. The outer quilted border has alternate 4 petal flowers, clamshell, and spirals.
It is padded with hand carded wool.
1950 x 1935mm
National Trust of Australia (SA)
Quilt made of white cotton net, embroidered or 'voided', with an all-over pattern of parrots perched on branches and flying around a flowering tree. There is a tufted effect on the edges of figures. The top has a centre panel with 2 side panels attached to match the pattern. Quilt is lined with white cotton, and edged with a white cotton fringe. There are 2 matching pillowshams. Handsewn.
11920 x 1830mm