Quilt No.561NPW - N.S.W. Parks and Wildlife Service

N.S.W. Parks and Wildlife Service
Owner: 
N.S.W. Parks and Wildlife Service
Location: 
NSW Sydney
Maker
Maker: 
Sarah Marshall?
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
The top is strips of mainly wools in blue, maroon and purple. The backing is imitation fur in brown and grey. They is no quilting. The padding appears to be a double sided pieced quilt from men's suitings or tailors' samples.
1500 x 1130mm
History: 

At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'.

Story: 

James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW.
In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy.
The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet, in various forms was important and some of the women made their own hats. At least in the later years it appears to have been a thrify household with many quilts made over and patched.
Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well know locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.

[Sources: N.S.W National Parks and Wildlife Service brochure on Hill End, Sue Stephens daughter of Charles Marshall, Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]

Related Quilts:

Annette Gero
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Barbara McCabe
Patchwork quilt made from squares of cotton fabrics, from curtains, left over from dress making projects, and new fabrics. Colours are bright primaries and some pastels, prints are checks, florals, stripes and plain. Pieces were stitched together without any particular order. No padding or quilting. Backing is a cotton bedspread in turquoise and blue stripes.
2520 x 1600mm
Lyn Uppill
Patchwork quilt of hexagons, handsewn, in print and plain cottons and rayon. Central star group has diamond shaped groups of patches, with smaller flower shapes, an inner border of a star shape in yellow hexagons, and an outer border of hexagons in vertical bands. Colours are mainly blues, reds, greens and yellow, the 'paths' and border are a pink print. The backing is herringbone stitched to the border or sashing, which has mitred corners.
2400 x 2340mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]