Quilt No.58MC - Mare Carter
Description:
Quilt of alternate green and fawn squares (100mm) in knitted fabric, originally swatches of sample fabrics. Padding is a piece of old blanket. Backing is fawn flannelette, and the quilt is finished with a flannelette ruffle.
1423 x 1124mm
1423 x 1124mm
History:
Made by Doris Carter during the 1960s in Melbourne VIC when she was chief designer for Holeproof. Known as 'the green rug' in the family. Owned by her daughter-in-law Mare Carter. It is still used 'when needed for guests'.
Story:
"The maker was a knitwear designer for Holeproof knitting mills and used up swatches of sample fabrics to make this rug which kept kids warm coming home at night in the car & also warmed family knees in winter in front of tele."[Mare Carter]
"An identical rug made by Mrs Doris Carter in blue & grey squares resides at Berry, NSW; it is used as described � & has kept warm Doris' grandson and great-grandchildren. It lives always in their car & is called 'Nana's Blue Rug'."[Mare Carter]
Related Quilts:
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
2160 x 1601mm
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
920 x 920mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
Quilt made with a rectangular centre panel of cotton fabric printed with red poppies and black flowers in a japanese style. The panel is surrounded by a wide black satin border. The backing is of black cotton, covering a previous backing of green floral cotton fabric. The padding is feathers.
1700 x 1370mm
1700 x 1370mm
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
1508 x 940mm