Quilt No.980NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Hampson Family Members
Made in
AUSTRALIA TAS
Patterms
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian
Date: 
1901 - 1920
Description: 
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm...
History: 

The quilt was made by members of the Hampson family in Tasmania between 1900 and 1903. It was given to Mary Gray a neighbour who cared for the last surviving member of the Hampson family. Mary had a small house and offered the quilt to the Fitzpatrick sisters to hang in their Fitzpatrick Inn in Westbury. The quilt was purchased in 1990 for the National Gallery of Australia with the generous assistance of funds from the National Gallery's Australian Textile Fund.

Story: 

" Members of the Hampson family, who lived at 'Fern Bank' near Westbury in northern Tasmania, made this quilt. John and Mary Hampson settled in the area in 1865 and had seven children. As the dates on the quilt show it was made between 1901-1903, Mary and five daughters and two sons were living at Fern Bank at this time, so work could be carried out by any of the family members.
In 1948 the elder of the two sons, John, died and as the other male William was disabled, he and his unmarried sisters moved to Westbury. It does not appear that any of the Hampson family produced offspring. William was the last surviving member of the Hampson family, and during his last years he was cared for by his next door neighbour Mary Gray. William died in 1955, leaving the house to the Church of England, and some land and possessions to Mary Gray: including the quilt. Mary had a very small house and as there was nowhere to hang the quilt it was given to the Fitzpatrick sisters (Genevieve and Myra) to hang in their Fitzpatrick Inn in Westbury. The quilt was purchased in 1990 for the National Gallery of Australia with the generous assistance of funds from the National Gallery's Australian Textile Fund." [NGA]

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Jindera Pioneer Museum
Quilt No.76JPM - Jindera Pioneer Museum
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
Patchwork, Mosaic, Typically Australian, Tailors' samples
The Embroiderers' Guild of S.A.Inc Museum
Quilt No.928ESA - The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
Patchwork, Pieced Repeat Block, Wholecloth, Quilting as major design element, Durham
Dulcie Williams
Quilt No.324DW - Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
Wholecloth, Utilitarian
Alysoun Ryves
Quilt No.539AR - Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm
Wholecloth, Embroidered and/or Appliqued