Quilt No.160WHS - Williamstown Historical Society

Owner: 
Williamstown Historical Society
Location: 
VIC Melbourne
Maker
Maker: 
Mrs Hansen
Made in
AUSTRALIA VIC
Patterms
Embroidered and/or Appliqued, Motifs or Names, Signature, Wholecloth, Typically Australian
Date: 
1901 - 1920
Description: 
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
History: 

The quilt was put together by Mrs Hansen during World War I. It was given to the Williamstown Historical Society (Vic) by Mrs Hansen in memory of her son Captain Hansen, a soldier who was killed in World War I.

Story: 

"Mrs Hansen and other mothers sent food parcels to their soldier relatives serving overseas during World War I. The tins containing the food were wrapped in calico. Mrs Hansen asked her son to get his men to sign the pieces of calico and send them back home. She then got her friends to embroider over the signatures. The squares of calico were then joined together to form a quilt. The names of the various battle zones were also embroidered on the quilt. The qult is lined in muslin. It has never been used as a bed quilt, but hangs in our Museum. �"
[Lois Swaby Sec. Williamstown Historical Society]

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Anastasia Penklis
Quilt No.918AP - Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm
Wholecloth, Quilting as major design element, Greek
The Pioneer Women's Hut
Quilt No.601PWH - The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm
Patchwork, Pieced Repeat Block, Typically Australian, Motifs or Names
Narryna Heritage Museum
Quilt No.511NHM - Narryna Heritage Museum
Cotton applique quilt in 'Kentucky Rose' wreath pattern. Cream background with applique flowers in deep pink with green stems and leaves. The wreaths, each with 4 flowers, are repeated across the quilt. It is extensively hand quilted. The backing is cream finished cotton and the padding is cotton.
2300 x 2250
Wholecloth, Embroidered and/or Appliqued
National Gallery of Australia
Quilt No.973NGA - National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian