Quilt No.560NPS - N.S.W. Parks and Wildlife Service

N.S.W. Parks and Wildlife Service
Owner: 
N.S.W. Parks and Wildlife Service
Location: 
NSW Sydney
Maker
Maker: 
Sarah Marshall?
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Double sided quilt. One side is different shapes including rectangles in various sizes in wools and men's suiting material. It is hand pieced. The pther side is mainly cottons in florals of different patterns joined in strips of varying width and machine and hand pieced. There is a 25mm binding. The padding is an old blanket.
History: 

At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'.

Story: 

James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW.
In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy.
The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet, in various forms was important and some of the women made their own hats. At least in the later years it appears to have been a thrify household with many quilts made over and patched.
Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well know locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.

[Sources: N.S.W National Parks and Wildlife Service brochure on Hill End, Sue Stephens daughter of Charles Marshall, Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]

Related Quilts:

The Pioneer Women's Hut
Patchwork quilt, machine construction in pink and white twill cotton, log cabin pattern. Each log cabin block was constructed with the backing in place, in groups of 4 blocks placed together. Each block 200mm in size.
2300 x 2050mm
Jan Tregoweth
Square patchwork quilt made from rectangles of woollen tailors' samples, each patch outlined with machine fancy stitch using red thread. Machine sewn. The backing is a green and white check fabric. No filling.
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm
Bev Johnston
Patchwork quilt made from squares and rectangles of pink, blue and white fabric set with a frame of pink and white print around a centre rectangle made of 4 pink triangles. Four corner squares of blue and white stripes, Many squares are pieced from smaller scraps. The Material is a crepe type, possibly used for underwear. Handsewn and machined. Backing is made from cotton scraps, possibly lawn or similar. Padding is flanellete or similar. Edges are bound in a striped material. Quilt shows signs of wear.
620mm x 520mm
National Trust of Australia (WA)
Hand sewn quilt (possibly child's or table top) of crazy patchwork in silk, silk ribbon and cotton velvet. The top has surface decoration of embroidery on all seams, feather stitch and blanket stitch variations. Many of the crazy patches are also embroidered. The centre patch has a rooster embroidered in lame thread. Embroidered motifs are hearts, butterflies, guitar, cow, Little Red Riding Hood, horseshoes, crown, clover leaf. Stitches are feather, stem, satin and blanket. Embroidered initials are 'B', 'R', and 'S'. The backing is dark grey silk.
840 x 840mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm