Quilt No.812QVM - Queen Victoria Museum and Art Gallery
Owner:
Queen Victoria Museum and Art Gallery
Location:
TAS Country
Maker
Maker:
Minnie McLoughlin
Made in
AUSTRALIA TAS
Patterms
Date:
1881 - 1900
Description:
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton...
History:
The quilt was made by Minnie Lucy Violet McLoughlin in Tasmania about 1895. It was made for her trousseau and embroidery on patches includes hearts, linked rings, blue birds, initials and sea related motifs. It is believed that Minnie was jilted and in 1915 she gave the quilt to Elsie Whelan on her marriage to Charles Brown. Elsie was the daughter of Minnie's friend Annie Whelan. Elsie and Charles gave the quilt to their son Terence in 1942 on the occasion of his marriage to Beryl.
The Queen Victoria Museum and Art Gallery acquired Minnie's quilt in 1999 with the assistance of the Tasmanian Quilters' Guild and the Launceston Patchworkers and Quilters Inc.
Story:
Minnie was born 28 August 1878 in Hobart to Joseph and Mary (born Woods) McLoughlin, their 6th child.
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" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm