Quilt No.812QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS Country
Maker
Maker: 
Minnie McLoughlin
Made in
AUSTRALIA TAS
Date: 
1881 - 1900
Description: 
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton...
History: 

The quilt was made by Minnie Lucy Violet McLoughlin in Tasmania about 1895. It was made for her trousseau and embroidery on patches includes hearts, linked rings, blue birds, initials and sea related motifs. It is believed that Minnie was jilted and in 1915 she gave the quilt to Elsie Whelan on her marriage to Charles Brown. Elsie was the daughter of Minnie's friend Annie Whelan. Elsie and Charles gave the quilt to their son Terence in 1942 on the occasion of his marriage to Beryl.
The Queen Victoria Museum and Art Gallery acquired Minnie's quilt in 1999 with the assistance of the Tasmanian Quilters' Guild and the Launceston Patchworkers and Quilters Inc.

Story: 

Minnie was born 28 August 1878 in Hobart to Joseph and Mary (born Woods) McLoughlin, their 6th child.

Related Quilts:

Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
Margaret Hedges
Crazy patchwork quilt with small patches in velvet, silk, brocade and cottons most with hand embroidery over the seams. There are many motifs such as flowers, butterflies, birds also dates, initials and names of local properties. It is padded with a thin soft material and the replacement backing (old) is satin. There is a wide rose coloured frill on all sides.
1680 x 1380mm
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm
Powerhouse Museum
Reversible cot quilt, hand pieced, in the log cabin pattern; the blocks measure 150mm square. The patches have been cut from plain and patterned dress, pyjama and men's shirt fabrics. Strong diagonals were created in the overall design through using light and dark colours, often a strong red, to divide the log cabin blocks in half diagonally. The back is made from rectangles of striped men's shirt fabrics in pastel blues, pinks and browns with a large 'flowe' in each corner, each pieced from six hexagon patches around a central seventh hexagon. There is no padding.
[PHM] 1720 x 1150mm
Annette Rich
Unlined quilt. Central square of floral chintz with rectangular and chevron border making a larger frame that is set within another square-on-point frame edged with 2 toned red leaf pattererned chintz. This quilt is mainly pieced (squares, triangles, lozenges) but the hexagon rosettes are appliqued. Dress and furnishing cottons dating from the early 1800s. Raw edged, unfinished. All hand stitched.
2400 x 2400mm
The Embroiderers' Guild of S.A.Inc Museum
This Adelaide Chronicle wildflower quilt has alternating squares of green and fawn headcloth embroidered with Australian wildflowers on the fawn squares and stylised floral motifs on the green squares. It is bordered and backed with the same green material. It is padded.
2350 x 1530mm