Quilt No.252HS - Helen Sparkman

Helen Sparkman
Owner: 
Helen Sparkman
Location: 
SA Adelaide
Maker
Maker: 
Clara Pitt
Made in
AUSTRALIA SA
Date: 
1941 - 1970
Description: 
Patchwork quilt made of Suffolk Puffs mainly in cottons. It has a light green wholecloth backing.
2100 x 950mm
History: 

This quilt was made by Clara Pitt, daughter of Matilda Pitt, probably during the 1950s. It has always been in the family and Clara was the great aunt of the present owner, Helen Sparkman. It is not used now.

Story: 

"Clara May Pitt 1892-1985 (Daughter of Matilda Pitt)
Clara made many quilts mainly during the 1950s and 1960s, not out of need but because of her love of patchwork. Her quilts were mainly Hexagons and Suffolk Puffs. Clara was a single lady who had five neices and a nephew, and quite a number of great neices and nephews. As each quilt was completed it was presented to a family member. These family members now cherish her gifts, even though all have often smiled and queried her fabric selection, placement, neatness and her continual use of white thread over the years. Clara was over 80 years of age when she made her last quilt (Hexagons of course) for a private museum."
[Helen Sparkman Dec.2000]

Clara Pitt c.1960
Clara Pitt c.1960

Related Quilts:

Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Eileen Dinning
Quilt of over 6000 suffolk puffs (also called yo yos) in a mix of cotton and synthetic materials. The top is hand stitched on to a satin backing.
2413 x 1626mm
National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm