Quilt No.313JL - Joyce Lacey

Joyce Lacey
Owner: 
Joyce Lacey
Location: 
QLD South East
Maker
Maker: 
Ivy Campbell
Made in
AUSTRALIA QLD
Patterms
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Date: 
1921 - 1940
Description: 
Wholecloth utility quilt, the top made of good quality cotton printed with posies of pink, blue and green flowers and leaves, the backing of plain cream cretonne, with a flap of plain cretonne, coming over the top side. Padding is made from blanket and jumper pieces stitched to a blanket base. Cretonne has signs of wear, and the cream backing has some staining. Top and backing machine sewn.
1840 x 1220mm
History: 

Made by Ivy Campbell (born Castle, 1901-1957) in 1937, in the Lockyer Valley (Qld), and owned by her daughter, Joyce Lacey. Called the 'wagga' or the 'wagga rug'.

Story: 

Joyce Lacey remembers sleeping under the quilt was uncomfortable due to the weight of it. The quilt has been used for moving furniture and sent to Scout camp with Joyce's son Graham when he was younger.
"My mother Ivy's mother was a very good sewer however she would not allow my mother to use the sewing machine (afraid the girls would damage the machine). As a result when my mother married and produced four children in four years she had to teach herself to sew in a hurry! She did household mending, embroidery, doilies & the like.
My mother used flour bags for our clothing. The printing was bleached out of them & our underclothes were made out of the calico fabric."
[Joyce Lacey 1998]

Joyce Lacey with quilt
Joyce Lacey with quilt
Charles & Ada Castle, Reg, Ruby, Amy, Ivy, Harry
Charles & Ada Castle, Reg, Ruby, Amy, Ivy, Harry
Eric & Ivy Campbell, Joyce, Joan & Jean, Keith
Eric & Ivy Campbell, Joyce, Joan & Jean, Keith

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Agnes Pratten
Quilt No.954AP - Agnes Pratten
Wholecloth quilt covered front and back with the least worn parts of old curtains. The padding is a carded wool sheet from Ipswich Woollen Mills placed between layers of cheesecloth.
1800 x 1225mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Irene Copping
Quilt No.781IC - Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm
Wholecloth, Quilting as major design element
Griffith Pioneer Park Museum
Quilt No.351GPM - Griffith Pioneer Park Museum
Patchwork quilt made from hexagon patches of cotton, silk, brocade, sateen and wool. Some silk patches are individually lined. Colours are mainly red, blues, purple, black, yellow and brown, with some pastels. Many silk patches have disintegrated, showing the paper templates. Quilt has a brown cotton inner lining, then a blue cotton backing, and is edged on the reverse with checked silk. Hand sewn by more than one person: one experienced sewer, one not so experienced.
1370 x 1170mm
Patchwork, Mosaic, Hexagon, Typically Australian, Tailors' samples
National Gallery of Australia
Quilt No.970NGA - National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Wholecloth, Embroidered and/or Appliqued, Pictorial