Quilt No.372FK - Fred Keen

Fred Keen
Owner: 
Fred Keen
Location: 
NSW Riverina
Maker
Maker: 
Rebecca Keen
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Patchwork quilt with front and back made from different sized patches of used woollen clothes, stitched in a random manner. Fabrics include men's trousers, and tweeds, checks and plains, in navy, grey, browns and fawn, and some red and white check. Backing is from larger pieces, including large patches of a dark pink, some green and some navy rectangles. Filling of wheat bags and part of a travelling rug was removed because it was too heavy.
1600 x 1000mm
History: 

Made about 1940 by Rebecca Keen (1889-1965) of Temora (NSW). Previously owned by Reg Keen, Rebecca's grandson, now owned by Fred Keen, Rebecca's son, and his wife Ena.

Story: 

"The maker of the Wagga Rug was Rebecca Keen (1889 - 1965) who was the Mother of the present owner, Fred Keen. The rug was made in about 1940. Rebecca was married to Alfred (1909) who broke his hip loading wheat and later managed pubs and grocery stores in country N.S.W. Rebecca was a Temora girl. They had 8 children and it was a tough life. Rebecca often did the cooking in the hotels they managed as well as rearing the children.
Rebecca made 6 Wagga Rugs. One was for Fred and Ena when they were 'keeping company' in the 1930s. It was a double bed size and was too heavy to use as it had wheat bags in the middle. It no longer exists. The others Rebecca made were for Fred and Ena's children i.e. her grandchildren.
This Wagga Rug was made for Reg (one of the children) about the time he was born in 1940. Reg was a bachelor and thought the world of his Wagga Rug. It used to have wheat bags and part of a travelling rug in it but these have been taken out.
Ena recalled that her Mother in law, Rebecca, would come over from Temora and do the mending and patching and make pants for her grandchildren from legs of trousers."
[Additional information from informal interview Fred Keen and Wendy Hucker for NQR, Wagga Wagga, 1999.]

Rebecca Keen with grand son Allan, 1956
Rebecca Keen with grand son Allan, 1956

Related Quilts:

Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Yass & District Historical Society
Patchwork quilt made from diamond patches in the 'Cotton Box' pattern, in a wide variety of cotton fabrics, including plains, checks, stripes and florals. The patches have blotting paper templates. The quilt is edged with diamond shapes in a red floral cotton. The backing is of the same red floral pattern, featuring yellow, turquoise and white flowers and leaves. Hand sewn.
2135 x 2033mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Annette Rich
Unlined quilt. Central square of floral chintz with rectangular and chevron border making a larger frame that is set within another square-on-point frame edged with 2 toned red leaf pattererned chintz. This quilt is mainly pieced (squares, triangles, lozenges) but the hexagon rosettes are appliqued. Dress and furnishing cottons dating from the early 1800s. Raw edged, unfinished. All hand stitched.
2400 x 2400mm
National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm