Quilt No.732HV - Helen Varoxis

Owner: 
Helen Varoxis
Location: 
NSW Hunter
Maker
Maker: 
Helen Varoxis
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
History: 

The 2 parts of this quilt were made in Cessnock NSW c.1960 by Helen Varoxis. It is still owned by Helen and is still used in winter.

Story: 

"A Cessnock Quilt
Although this quilt was made in Cessnock, its origins are really in the NSW country town of Cootamundra where Helen Varoxis was born in 1916, and where, as a young woman, she began sewing and making quilts!
Helen's parents, Minas and Maria Coombes came to Australia from the small Greek island of Kythera in 1911, part of the pre-WW11 Greek migration which is now being recognised as an important part of Australia's history. They settled in Cootamundra where their children Kate, Jim, Helen and Ourania were born. Helen worked for several years in their family business, the 'Popular Cafe', after attending Cootamundra Intermediate High School. As with so many Greek Australian women of her generation, Helen's upbringing was as Greek as her parents were able to make it; despite the isolation of the small country town, Greek language and customs were strongly taught.
Among the few other Greeks in Cootamundra were Socrati and Maria Behlevanas and Socrati's close friend Ignatios (Tom) Varoxis; both from the same village of Aghia Paraskevi, on the Greek island of Mytilini (Lesvos). It was Socrati who went to Helen's father on behalf on his friend to ask permission for Helen to marry Tom. They married in 1940, with Socrati as their 'koumbaro' (best man), and with the traditional Greek Orthodox wedding ceremony being conducted, in the local Anglican church, by a priest from Sydney.
Helen and Tom worked hard in their 'White Rose Café'; in 1946 they moved to the mining town of Cessnock, where they bought the 'Ritz Milk Bar' which they owned until retirement in 1973. Helen still lives in their traditional Australian house with its wide verandah, where they raised their son Peter. Peter and his wife Sandra have two children, Jason and Jessica.
Australians who lived through the Great Depression, learnt never to waste anything, and Helen was no exception. So, over the years, all sorts of fabric pieces have been used to make many quilts. For this one, with its lovely rich colours, Helen used squares of velvet which were once part of a fabric sample book. Because of the weight of the velvet, she had to make it in two separate pieces. Helen still uses her quilt in Cessnock's cold winters."
[Written by Lula Saunders, adapted from interview 16/4/00 for the National Quilt Register]

Helen with part of the quil, 2000
Helen with part of the quil, 2000
Helen and the house where the quilts were made.
Helen and the house where the quilts were made.

Related Quilts:

Roslyn Beattie
Patchwork quilt made from different sized rectangles, in new materials, including cotton, lightweight velvet, lining silk, crepe, seersucker, and satin. All fabrics are of even weight. Colours are mainly light, with pinks, greens and blues predominating. No padding or backing. Quilt was not finished.
2050 x 1250mm
Pioneer Settlement Authority
Centre medallion of hexagons surrounded by blocks of tumbling blocks. Rows of triangles around the edge. Each corner has a star within a hexagon. Hand stitched with the traditional 20 stitches to the inch. There is a silk tassle in each corner. Materials include: silk, silk ribbon, taffeta, brocade, velvet, striped silk, faille. The backing is cream holland.
1580 x 1510mm
National Trust of Australia (WA)
Frame quilt of dress cottons, including some glazed cottons. The centre is 4 triangles pieced to make a rectangle. This is surrounded by a plain border, a border of triangles, plain border, triangles border, plain border, border of triangles pieced to form squares, square and triangle border, then rows of squares. The outer border is of glazed floral chintz with a brown background. The backing is cream linen pieced lengthways in 3 sections. There is no padding. It is quilted all over in a large clamshell pattern. The top is covered with netting.
2615 x 2280mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm
Arapiles Historical Society Museum
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.