Quilt No.732HV - Helen Varoxis

Owner: 
Helen Varoxis
Location: 
NSW Hunter
Maker
Maker: 
Helen Varoxis
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
History: 

The 2 parts of this quilt were made in Cessnock NSW c.1960 by Helen Varoxis. It is still owned by Helen and is still used in winter.

Story: 

"A Cessnock Quilt
Although this quilt was made in Cessnock, its origins are really in the NSW country town of Cootamundra where Helen Varoxis was born in 1916, and where, as a young woman, she began sewing and making quilts!
Helen's parents, Minas and Maria Coombes came to Australia from the small Greek island of Kythera in 1911, part of the pre-WW11 Greek migration which is now being recognised as an important part of Australia's history. They settled in Cootamundra where their children Kate, Jim, Helen and Ourania were born. Helen worked for several years in their family business, the 'Popular Cafe', after attending Cootamundra Intermediate High School. As with so many Greek Australian women of her generation, Helen's upbringing was as Greek as her parents were able to make it; despite the isolation of the small country town, Greek language and customs were strongly taught.
Among the few other Greeks in Cootamundra were Socrati and Maria Behlevanas and Socrati's close friend Ignatios (Tom) Varoxis; both from the same village of Aghia Paraskevi, on the Greek island of Mytilini (Lesvos). It was Socrati who went to Helen's father on behalf on his friend to ask permission for Helen to marry Tom. They married in 1940, with Socrati as their 'koumbaro' (best man), and with the traditional Greek Orthodox wedding ceremony being conducted, in the local Anglican church, by a priest from Sydney.
Helen and Tom worked hard in their 'White Rose Café'; in 1946 they moved to the mining town of Cessnock, where they bought the 'Ritz Milk Bar' which they owned until retirement in 1973. Helen still lives in their traditional Australian house with its wide verandah, where they raised their son Peter. Peter and his wife Sandra have two children, Jason and Jessica.
Australians who lived through the Great Depression, learnt never to waste anything, and Helen was no exception. So, over the years, all sorts of fabric pieces have been used to make many quilts. For this one, with its lovely rich colours, Helen used squares of velvet which were once part of a fabric sample book. Because of the weight of the velvet, she had to make it in two separate pieces. Helen still uses her quilt in Cessnock's cold winters."
[Written by Lula Saunders, adapted from interview 16/4/00 for the National Quilt Register]

Helen with part of the quil, 2000
Helen with part of the quil, 2000
Helen and the house where the quilts were made.
Helen and the house where the quilts were made.

Related Quilts:

Narelle Grieve
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
Annette Gero
Utilitarian quilt made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1570 x 152Omm
Albury Regional Museum
Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.