Quilt No.926ESA - The Embroiderers' Guild of S.A.Inc Museum

Owner:
The Embroiderers' Guild of S.A.Inc Museum
Location:
SA Adelaide
Maker
Maker:
Anna Blackmore
Made in
ENGLAND
Date:
pre 1850
Description:
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
History:
The quilt was made by Anna Blackmore in England and thought to have been started c.1828 and taken many years to complete. It was later owned by Miss Eva Tazewell who received it from her father George who was related to Miss Blackmore. George received it after he emigrated to Australia from Somerset. It was donated to the Embroiderers' Guild of SA.
Story:
Anna Blackmore was the sister of Robert Blackmore who wrote 'Lorna Doone'. Eva Tazewell was state hockey coach in the 1940s.
Related Quilts:
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Patchwork quilt, log cabin pattern. Made of strips of dark and light material arranged to produce strongly contrasting bands running diagonally across the quilt. Colours are mainly pinks and blues in small floral and paisley cotton prints. There is no padding.
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2058 x 1829mm
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Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
2015 x 1320mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm