Quilt No.981NGA - National Gallery of Australia

Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Mary Hannaford
Made in
AUSTRALIA NSW
Patterms
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian
Date: 
1921 - 1940
Description: 
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye...
History: 

The quilt was made by Mary Jane Hannaford about 1922 at Blanford, near Murrurundi, New South Wales.
"There are seven known quilts initialled 'M.J.H.' five of which are owned by the National Gallery of Australia. Mary Jane's great granddaughter, Miss Joan Swanson, New South Wales donated this quilt to the National Gallery of Australia in 1997." [NGA]

Story: 

"Mary Jane Hannaford was born in Devonshire, England in 1840. She came to Australia on board the 'London', arriving in Sydney in March 1842. The family moved to Tamworth after the Australian Agricultural Company contracted her Father as shepherd. Her father died in 1852, when Mary was 12. Her Mother remarried 2 years later and they moved to Blanford near Murrurundi, New South Wales. Mary Jane lived with her parents until they died and continued to live with her brother on the farm 'Balmoral'. She never married, but had a daughter, Emily Agnes Hannaford who married George Cady in 1887. Mary Jane died in Blanford in 1930." [NGA]

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Sharon Stacy
Quilt No.552ST - Sharon Stacy
Wholecloth quilt with white cotton centre, sky blue cotton border and dark blue binding. There are 9 repeat designs of cross stitched flowers and leaves in the centre section. Around the blue border there are 18 cross stitched flowers. Blue on blue and white on white cotton quilting of diagonal lines and curls pattern the quilt. The backing is white cotton and there is a very light padding.
2338 x1981mm
Wholecloth, Signature
Maria Ahilas
Quilt No.779MA - Maria Ahilas
The quilt top is of rose-pink satin and the backing is a lighter pink cotton. The quilting pattern is a large central 'wheel' motif repeated from each corner like a fan. The centre 'wheel' is surrounded by a single feathered wreath and diamond fill pattern. Hand quilted. The padding is cotton wadding from cotton grown on Lesvos island.
2000 x 1600mm
Wholecloth, Quilting as major design element, Greek
Powerhouse Museum
Quilt No.758PHM - Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Patchwork, Mosaic, Typically Australian, Tailors' samples
Julie Atkinson
Quilt No.668JA - Julie Atkinson
Reversible wholcloth quilt with elaborate hand quilting. One side is rose pink and the other black with quilting done in black thread. It is padded but the type of padding is unknown,
2250 x 2100mm
Wholecloth, Quilting as major design element