Mosaic Quilts

The Temora Rural Museum
All cotton hexagon quilt using a wide variety of colours and patterns. The hexagons were hand stitched by Sylvia Schleibs in the same style she and her daughter, Norma Gilchrist, had previously made 3 hexagon quilts. There is a calico border and backing.
2000 x 1450mm
National Trust of Australia (WA)
Patchwork top made of cottons, constructed with 5 by 5 rows of squared 8 point pieced stars alternating with white cross-shaped blocks (made from 4 pieces). On all sides are borders of half stars. The outer border is of rectangles of cotton prints appliquéd on to cotton to form a plaited pattern. The border only is backed with a band of cream cotton. All patches are whip stitched together.
2645 x 2615mm
Ida Blenkiron
Patchwork knee rug made from maroon wool cut up from a garment into different sized rectangles. Pieced by hand, then all edges crocheted with coloured wool thread. The top was then machined and quilted to a pale blue wool backing. No padding.
1080 x 780mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has small 'Tumbling Block' pattern. The other side has larger pattern of pieced stars. It is made of silks, some printed, some solid colours mainly blues, greens cream and black. There is no padding.
2100 x 1800mm
Annette Gero
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm
Barbara McCabe
Patchwork quilt made of rectangles of woollen fabrics from dressmaking projects. Pieces have been stitched together in no particular order. Colours are predominantly dark red and light grey, with some green, pink and blue. Fabrics are plain, checks and weaves. No padding or quilring. Backing is yellow curtain fabric.
2200 x 1100mm
The Pioneer Women's Hut
Machine pieced top of squares of part jumpers, most hand knitted. The padding is a blanket. The backing is an old curtain.
1735 x 1350mm
N.S.W. Parks and Wildlife Service
Large centre rectangle of hexagons in various colours of patterned and plain cottons. It is surrounded by a wide border in a checkerboard of red and white cottons. There is a wholecloth cotton backing. The front and the back have been turned under at the edge and machined. There is no padding.
1829 x 1372mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Fran Williams
150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm
Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. The squares average about 27cms. The materials are mainly woollens, fleck tweed, school jumpers, gren check, and chenille and all are from used clothing.
1800 x 1170mm
Jan Hanslow
Hexagon quilt with 60mm hexagons in cottons. No particular design or pattern. Patches are plain and patterned in reds, blues, pinks, browns and greys. There is a 70mm wide lace trim. The quilt is padded and the backing is wholecloth green with a floral design in pink and cream. 1860 x 1640mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Ida Blenkiron
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
Joyce Lannin
A hand sewn quilt of more than 6,536 hexagon pieces in cottons, silks and polyester mix. There is a centre circular pattern of hexagons within a larger hexagon and small hexagons form larger hexagons in a random pattern on the quilt top. There is no padding and the backing is a plain fawn sheet with a floral edging in hexagons. 2880 x 2550 mm.
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps, nearly all woollen. The hexagons measure 150mm. It is hand stitched.
1170 x 1100mm

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