Mosaic Quilts

Kaniva District Historical Society
Quilt of crocheted squares (sometimes known as Granny squares) in pinks, blues, greens and brown, with a green crocheted border edged in brown. Quilt is backed. A cot quilt or a knee rug.
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
National Trust of Australia (NSW)
Hand pieced and quilted quilt in silks, wool and cotton dress materials. The centre is a hexagon star in pink and yellow with black points. Most of the body of the quilt is pieced in Tumbling Blocks with an outer border of triangles. The backing is pieced from large rectangles of blue satin, rust-brown moire taffeta and brown-grey silk in a 'rectangle within a rectangle' pattern. The quilting is all over and finely done in yellow thread in a variety of patterns including snails, petalled flowers and hearts.
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
National Trust of Australia (NSW)
Handsewn quilt of hexagon patches in cotton prints in 'Grandmother's Flower Garden' pattern. Each flower consists of double rows of print hexagons around a yellow centre and these are joined by 'paths' in plain green and white cotton. Backing is green cotton and there is a wool padding. There is outline quilting around all green and white hexagons and centre and first row of hexagons in flowers.
1885 x 1750mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Barbara Levy
"The quilt is made up of many cotton hexagons of various colours, patterns and designs, finely sewn by hand, making a very attractive bedspread. Each patch is lined with lawn. It is quite a heavy quilt, with its plain border, and backing of home-spun cotton or cesarine. The family always called it a 'cottage design'."
No quilting.
2312 x 1905mm
Mare Carter
Patchwork quilt. All cotton with cotton filling. Entirely made of hexagons, patterned and plain. 6 hexagons surround a central one. Colours, red, blue, yellow and white. Hnad stitched and hand quilted.
2108 x 1702mm
Albury Regional Museum
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Mare Carter
Patchwork Quilt, all cotton including filling. Pattern is "squares and diamonds". Quilt is faded but blue is probably the predominant colour. Hand stitched and hand quilted.
1624 x 1194mm
Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
Queen Victoria Museum and Art Gallery
Quilt with alternate red and white diamonds in cotton, with wide border of white cotton and a white cotton crochet edging. All diamond patches and edging were joined to white border decorated with feather stitch. White border edged with zig-zag white feather stitch. Centre rectangle of white has 4 red petals edged with white feather stitch and 4 red diamonds each embroidered in white clockwise: '1898', 'R', 'L', 'K'. Diamonds edged with feather stitch. There is no padding and the backing is white cotton.
2420 x 1740mm
Daphne Akehurst
Quilt in a wide variety of patterned and plain hexagons in cotton with a wide green border. There is no padding and the backing is cotton.
2500 x 2200mm
Alicia Murdoch
Cotton quilt entirely of hesagons. Some are formed into rostttes or flowers and have a print border of 12 hexagons, an inner circle of 6 hexagons in a plain colour and a yellow hexagon centre. The padding is cotton wool and the backing plain off white cotton.
2210 x 1430mm
Ryder Lundy
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm

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