Mosaic Quilts

Mary Elizabeth (Beth) Burnett
Tumbling Block quilt made from pure silk ribbons, patterned and plain. The quilt edge follows the block shapes. The backing is polished cotton printed with flowers.
2743 x 2439mm
Tess Davidson
Hand stitched quilt of suiting materials. Centre rectangle also suiting materials but arranged with a smaller scale, is edged with a cord of red fabric covering string. The outer red border has been renewed by the owner and closely matches the original. The backing is ticking. There is no padding.
2390 x 2110mm
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Jan Tregoweth
Square patchwork quilt made from rectangles of woollen tailors' samples, each patch outlined with machine fancy stitch using red thread. Machine sewn. The backing is a green and white check fabric. No filling.
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Rita Fiddian
Grandmother's Flower Garden quilt. Hexagons are from cotton and polyester material mostly from 'Reverse Garbage' Melbourne. Hand pieced by Rita Fiddian, the owner. Hand quilted. The padding is wool and the backing cotton.
3049 x 2109mm
 Dianne Gorringe
Patchwork quilt/cloth with strong overall design of very small squares. The colours are navy, red, cream, green (khaki) and fawn. There is a wide fringe on all sides. There is no padding. The backing is cotton sateen.
1240 x 126mm
Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
The Queensland Women's Historical Assoc.
Wool patches in large Tumbling Block pattern. Plain colours, blues, orange, gree, red. Seams are over embroidered with silk thread in herringbone stitch. Backing is 'Molleton', red with yellow pansy design.
2490 x 2236mm
Ruth Hansen
Cotton patchwork quilt in an all over pattern of diamonds in a wide variety of patterned and plain materials. Many seams are oversewn in feather stitch which goes through to the backing of calico.
1625 x 925mm
Barbara McCabe
Patchwork quilt made from rectangles of mostly woollen fabrics sewn in strips and then stitched together. Fabrics left over from dressmaking projects. Machine stitched. Colours mainly green, purple, blue, pink, pastels, in plain, checks and spots. No padding or quilting. Lining is an old bedspread.
2200 x 1440mm
National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
The Pioneer Women's Hut
Machine pieced cot quilt made from squares of material including tweed, wool, blanket and pyjama material. The squares are joined in rows with colours randomly placed. There is a pink satin edging. The backing is part of a pale pink blanket.
1150 x 900mm
Annette Gero
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm
Margaret Munchenberg
Patchwork quilt made from diamond patches in blue and white taffeta, with the central motif of a large and small flower basket made in red floral cotton and the baskets in black and white check cotton. No padding. Backing is cream taffeta. Handsewn.
3260 x 2130mm
Annette Gero
Large silk hexagon quilt with a centre motif of hexagons then a square of hexagons smaller than the rest of the quilt. It is hand pieced over papers using the English method. A backing of green cotton is more recent.
2370 x 2230mm

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