Frame Quilts

National Trust of Australia (WA)
Quilt of pale yellow cotton sateen with a centre star motif with 8 points in pink cotton sateen. A border of pink cotton sateen has pink triangles on each side. The quilt is machine sewn and elaborately hand quilted with designs including fleur-de-lys shape, feathers, vine pattern, clam shells, 8 petalled flower and cable pattern with the main ground cross hatched. The backing is pale yellow cotton sateen.
2235 x 2065mm
National Trust of Australia (WA)
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
The Queensland Women's Historical Assoc.
Frame quilt in cotton with cotton backing. Centre square of floral chintz surrounded by 8 smaller squares with floral and probably Egyptian motifs. 4 surrounding frames of plain and patterned cotton in squares, diamonds and strips. Hand stitched and hand quilted. Has been used as a curtain and has metal rings attached to one edge.
3759 x 2286mm
Annette Gero
Hand pieced frame quilt with centre frame of hexagons and radiating borders of cotton and chintz. There is a heart at each of the 4 corners on the second border. It is hand quilted. There is no padding.
1900 x 1900mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Annette Gero
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette Gero]
2540 x 2540mm
Jenny Martin
Hand pieced frame (medallion) quilt. Small hexagons in centre surrounded by triangles and then rectangles. Fabrics are often end of roll pieces with maker's marks. Small prints in mainly creams and browns. The backing is pieced pyjama fabrics. There is no padding. 2130 x 1670mm
Jenny Martin
Frame (medallion) quilt with plain red centre and radiating rows of floral dress patches with the outer border large pieces of furnishing fabrics. Various colour ways of the same pattern so possibly came from sample books. There is no padding and it is machine quilted. The backing is patchwork with large pieces of florals and furnishing fabrics. 2190 x 1760mm
Powerhouse Museum
"A double sided rectangular patchwork quilt with blanket inlay. On the face side, the patchwork pieces are arranged in long rectangular strips, laid 'log cabin style' and dimishing in size, around the rectangular medallion. This is composed of a column of 5 patches with narrow strip borders. The colours are strong in the centre of the quilt and become softer toward the edge. The patches that make up individual strips are the same toning with a variety of dot, stripe, check and small floral patterns. The quilt has been hand and machine stitched.
The reverse of the quilt has been similarly structured, with rectangular and square patches forming borders around a central rectangle. The patches however are arranged in rows of the same fabric but in different colourways. Most fabrics are striped with a secondary floral pattern while others are bolder. The presence of fabrics in different colourways suggests they may have been taken from a swatchbook." [PHM]
1920 x 1630mm
Powerhouse Museum
"A rectangular patchwork medallion quilt or coverlet, machine sewn from delicately coloured plain and printed cotton shirting fabrics in fine stripe, spot and check patterns. The fabrics were probably obtained from a manufacturer's superceded swatchbook. The design is of medallion type with a central rectangular panel surrounded by three deep borders, all separated by narrow strip borders. The central panel and deep borders are made from small triangular patches that form dynamic geometric patterns of squares, diamonds and chevrons. The quilt is backed with patched white cotton fabric, probably sheeting, and is bound around the edges with cotton strips."
1810 x 1700mm
Powerhouse Museum
"Medallion quilt pieced from square, rectangular and triangular pieces from plain and patterned cottons. Central motif is appliqued in red cotton on white background with kangaroo and emu on either side of a shield. Four stars are randomly placed on the white background. There is no padding. The backing is pieced together from different types of white material." [PHM]
2265 x 1975mm
Joyce Lannin
Handsewn quilt with central appliqué scene of Japanese women and Mt. Fuji. Appliqué flowers form a border around the centre panel and three rows of open fans a second border. Each fan is different. The padding is cotton and the backing is polyester sheeting with a border of fans. 2380 x 2355 mm
Powerhouse Museum
"A medallion style, handpieced cot quilt with dark and light checkerboard patterning of rectangular cotton printed fabrics, probably taken from a fabric sample book. Two frames of pink cotton strips printed with navy blue polka dots outline the central block and separate the outer rows of patches. The quilt is edged with narrow strips of brown floral cretonne and dramatic triangular 'flames' of red floral cretonne attached all around. The seams joining the patches are oversewn with blue featherstitch embroidery, and the quilt is backed with printed cotton." [PHM] There is no padding.
1480 x 1235mm
Virginia DeFriest
One of a pair for twin beds. Frame quilt entirely in rectangles of squares radiating from small central rectangle. Alternating rows of plain and patterned cottons. All squares are on edge. Padding is cotton and backing is plain white muslin. 2220 x 1540 mm.
Virginia DeFriest
One of a pair for twin beds. Frame quilt entirely in rectangles of squares radiating from small central rectangle. Alternating rows of plain and patterned cottons. All squares are on edge. Padding is cotton and backing is plain white muslin. 2220 x 1540 mm.
Fran Williams
Double sided frame quilt. All cotton. Extensive hand quilting, cables, overlapping circles and a large circular quilting design in the centre. The padding is a cream and blue blanket. It is very heavy.
1810 x 2140mm
Fran Williams
All cotton frame quilt with 6 borders. Extensively hand quilted. The backing is cream cotton. There is no padding.
1840 x 2440mm
Dubbo Museum & Historical Society Inc
Frame quilt with central square of floral patterned chintz with a yellow background, surrounded by borders of squares and rectangular pieced fabrics, dark pieces mostly alternating with light. It is hand pieced and flat quilted.
Jillian Towers
The centre frame is a hand embroidered piece of wool which the owner suggests may have been a cushion cover. It is framed by borders of irregular shaped pieces of velvet offcuts. There is a green velvet border top and bottom. It is not quilted or tied. The backing is a piece of dress type material in a large floral print in pinks and purples.
1680 x 1380mm
Nell Bell
Double sided patchwork quilt in coloured patterned cottons. Side A has frame pattern aound a central pieced rectangle containing a piece of lace curtaining. Colours are ornage, brown, yellow, green, red and black. Side B has windmill blades (4 blades) in printed cottons with solid colour centres appliqued on to a dark brown background. Hand and machine sewn. Padding is fleece wool in an old commercial eiderdown.
1829 x 915mm