Patchwork Quilts

Charlotte Nattey
Quilt in cottons and linens with the centre frame featuring an eight pointed star surrounded by borders of pieced diamonds, squares, stars and long sashing pieces. The entire quilt has been overstitched in a chevron running stitch 15mm apart. If there is padding it has flattened completely. The backing is heavy twill weave linen.
2020 x 1830mm
Diane Kern Hamilton
Grandmother's Flower Garden pattern constructed from hexagons with sides approx 2cms. Repeats of three concentric circles of hexagons outside a centre yellow hexagon. Each of the first two circles is made from the same fabric and the outer circle is always pale yellow. The 'pathway' is solid green. It is quilted in concentric circles 5mm in on all hexagons. There is a fine padding and the backing is yellow polished cotton. It is known as Great Aunt Elva's quilt.
2480 x 1980mm.
Val Bensen
A scrap quilt constructed in blocks, each block pieced differently and all linked by the same printed cotton. Machine pieced and hand quilted with thread saved from 'feed sacks'. The padding is cotton and the backing is brown checked cotton twill.
2033 x 1677mm
Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
Hand sewn frame quilt featuring appliqué. There is a centre square surrounded by two wide borders. The design consists of a large basket in each corner of the square with leaves and buds scattered at random. The 2 borders have flowers and leaves and the outer wide border has a small basket in each side. Colours are pale and strong pinks, blues shading to indigo, browns-beiges and dusty red. The centres of the flowers are all reverse appliqué. There are signs that there has been a backing but it is now one layer. 2700 x 2700 mm.
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
"This is a crazy quilt consisting of nine panels of crazy patchwork joined together with bands of olive cotton sateen fabric. The fabrics of the patchwork are a rich variety of silk brocades, silk ribbons, fabrics with metallic threads and velvets. The embroidery is of a variety of silk threads, including chenille.
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Quilt of men's suitings. Machine stitched, red backing.
1800 x 1100mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
Quilt in crazy patchwork, in velvet, silk and cotton, decorated on seams and patches with embroidery. Padded with flannelette, and backed with damask. Quilt has an olive green frill around the edge.
190 x 1500mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
National Museum of Australia
Handsewn patchwork quilt in a mosaic pattern of squares and pentagons. Patches are in very bright coloured print and plain cottons, with 'filler' squares of beige cotton. Quilt is machine stitched to a backing of apricot cotton. There is no padding.
2980 x 1655mm
Patchwork quilt made up of machine pieced squares and rectangles of cotton dress materials. The backing is a large piece of furnishing material. The padding is an old cream blanket.
1750 x 1350mm
Patchwork quilt top in Tumbling Block or Robbing Peter to pay Paul pattern, in printed cottons. No lining or backing.
2690 x 2640mm
Patchwork on canvas lining. Feather stitching around squares. Pattern of cricketers and kangaroos on backing.
1200 x 800mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm

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