Patchwork Quilts

Quilt of pieced printed cottons in the 'Le Moyne Star' pattern with the blocks set on point with sashing in a turkey red cotton print. Patchwork prints for the diamond shapes include spots, small prints, plaids, florals. The backing is another turkey red print and it is folded over to the front to form a border. The padding is cotton. The quilting outlines patches with some additional diagonal lines.
2595 x 2565mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm
Machine pieced top and back made from large irregular pieces of calico and sheeting including part of a 70lb Colonial Sugar Refinery calico sugar bag. The padding appears to be old cream blanket, whole or pieced.
1720 x 1030mm
Patchwork quilt made up of machine pieced squares and rectangles of cotton dress materials. The backing is a large piece of furnishing material. The padding is an old cream blanket.
1750 x 1350mm
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
Crazy quilt with one large panel. Materials include wools, velvets, silks and crepes. Each piece embroidered in herrigbone stitch to the adjoining piece. 25mm blue border chain stitched on, then 75mm border of black wool crepe with a crocheted edge. The padding is an old blanket and the backing is red/brown printed cotton.
1730 x 1040mm
National Parks & Wildlife Service of SA
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
Child's coverlet, made of woollen squares from suits and jackets.
980 x 700mm
Patchwork quilt (one of a pair) made from hexagons in cottons, rayon, and taffeta, to fit a single bed. The quilt has a pleated ruffle or flounce of pale green fabric. Patchwork machine sewn onto backing, flounce sewn by machine.
Jenny Loder and Rosemary Hart
Log cabin quilt with logs made from silks (including moire), velvets, brocades and tartan ribbons. Each square is separately backed. There is no padding.
2020 x 1460mm
Jean East
Doll's quilt of crazy patchwork of cotton fabrics including handkerchiefs, mainly in checks and stripes, in pinks, yellow, blues and black, stitched to a cotton backing with herringbone stitch in embroidery thread in brown, light brown, and white..
327 x 320mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Silk patchwork quilt top. The all over pattern is of part octagons and black four pointed stars in the centre of small squares. When joined together, the effect is rows of octagons. All the seams are outlined with embroidery.
1600 x 1430mm
"This is a pieced patchwork quilt comprised of 216 squares. Each square is comprised of 10 diagonal strips that have been joined by being attached to a backing. White cotton plain weave fabric has been used in all the pieces. The quilt is not lined, but the edge is decorated with a fine cotton frill, 15cm deep. The frill carries two 4mm tucks and is edged with 2 cm lace trim. All sewing on the quilt is by machine. The quilt is not padded." [NGA]
2420 x 1690mm
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm

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