Quilts

Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side. 1500 from back of neck to hem 1600 measuring around to just below the shoulders
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Wagga, made from 2 jute bags split and hand-bound along the seams.
1870 x 1130mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
"All handsewn. Quilt in fragile condition. Hexagonal patches in blocks of 19 patches & joined together with diamond and triangle patches. All patches recycled cotton material. The centre patch is one material, the 6 patches around are another material and the surrounding 12 are white sheeting. The diamonds and triangles are pale blue. No padding. Cotton sheeting backing. Patches sewn onto a ? old cotton ? damask weave tablecloth or bedspread. This is woven in strips. The backing sewn on."
[K.D.H.S.1997] 2500 x 2450mm
Embroiderers' Guild Victoria
Hand appliqued and quilted white cotton quilt with Hawaiian type design in pink. There is a scalloped border also in pink and the backing is fine pink cotton. The padding is 'Mountain Mist'.
2300 x 1600mm
National Parks & Wildlife Service of SA
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm

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