Quilts

"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
Child's coverlet, made of woollen squares from suits and jackets.
980 x 700mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
Hand sewn quilt in red and white cotton and some linen in a nine-patch variation, the pieced squares set edge to edge. The quilt is bound in red cotton, the binding approximately 2 cm deep. It is closely quilted in a wave pattern. The backing is white twill cotton and the padding is thin wool.
2193 x 1960mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Hand and machine pieced top and back using irregular pieces of men's hand and machine knitted jumpers and navy serge. The backing is mainly serge, part of an uncle's bus conductor's uniform. The pockets from the uniform have been left as is. There is no padding.
1850 x 970mm
Mirgation Museum
Unfinished patchwork of hexagon patches in cotton, linen and other fabrics. Hexagons have 3cm sides. Fabrics are a mixture of prints and plains, in bright shades and pastels, with reds, greens, blues and pinks predominating. Paper templates are still in place in sections.
980 x 950mm
The padding is heavy chaff bags hand sewn to fit a 3/4 or single bed. The top is fawn cotton with a 100mm border of brown twill cotton. The backing is brown twill cotton the same as the border on the top.
2100 x 1400mm (approx)
Patchwork quilt of diamond shapes in cotton fabrics. Patterns include florals, spots and stripes, and colours are navy, red, pink and grey. No padding. Backing is of strips of cotton in pinks and fawns sewn together.
2236 x 1931mm
Tailors' samples quilt. Random sized rectangles joined in rows. There is a 3cm wide pleated frill of navy woollen material. The padding (synthetic) and the backing (green and white striped cotton) are recent. 1900 x 1850mm.
Julie Bos
All over pattern of cotton rectangles mainly in borders with the outer border grey cotton. There is no padding. The backing is wholecloth of pink and red printed cotton.
1200 x 1290mm

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