Quilts

Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Machine pieced top and back made from large irregular pieces of calico and sheeting including part of a 70lb Colonial Sugar Refinery calico sugar bag. The padding appears to be old cream blanket, whole or pieced.
1720 x 1030mm
Patchwork quilt top in Tumbling Block or Robbing Peter to pay Paul pattern, in printed cottons. No lining or backing.
2690 x 2640mm
Canadian Log' design (log cabin?). It is a hand stitched quilt constructed from 6,240 pieces of silk, satin, velvet, cotton, brocade and corduroy. The type of padding is unknown and the backing is cotton with a floral design. 1920 x 1900 mm
Quilt of brown woollen patchwork on both sides.
1770 x 1750mm
This utilitarian quilt has a top of mainly woollen used clothing randomly pieced in different sizes and shapes. It includes parts of a jumper, a pocket, a sleeve, the back of a coat, a trouser leg, a piece of 'railway issue' blanket. There are many layers and each layer is stitched together by hand. There is no difference between the padding and the top, it is all layers of pieces of clothes. The backing is an old cotton sheet.
1620 x 1300mm
Ella Jarvis
Patchwork frame quilt with frame design on both sides, made from print and plain cottons. Front has blue floral rectangle with a bright blue scalloped frame, then 2 blue floral frames, a dark blue frame, a purple patterned frame, and 2 outer borders in blue, black and yellow prints. Reverse has centre of turquoise, with a frame of orange and blue prints, a pointed border of dark blue, a wide frame of pale blue print, then 3 borders on orange, blue, brown and white prints. Filling is old blankets. 1520 x 1410mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Crazy patchwork quilt made from pieces of velvets, plush and corduroy, in prints and plain. Patches are sewn directly on to a backing with feather and herringbone stitches in pearl thread. Quilt has a 1/2 inch binding of black velvet. Backing is a pea green cotton twill. One of the patches has the dates 1909 - 1948 embroidered on it.
920 x 920mm
Quilt of hexagon patchwork, with nylon wadding. To fit a queen size bed.
2100 x 2100mm
Utilitarian wholecloth quilt made from red flecked furnishing material. The padding is army blankets. It is machine sewn and quilted.
2100 x 2100mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Machine made wholecloth quilt in gold satin cotton. "�...perhaps a new cover over the blue japara cotton base. Vaguely oval central medallion with floral tulip pattern in trapunto with ruching. Outside this is another trapunto pattern." [Edith Young]
The backing is gold satin cotton and the padding is quite thick, possibly down. 1720 x 1420 mm.
Embroiderers' Guild Victoria
Crazy patchwork quilt, hand pieced in velvets, brocades and silks. Embroidery in yellow stranded thread in various stitches around the patches. Stitches include, single and double feather, numerous buttonhole variations and herringbone. There are also embroidered motifs including butterflies, leaves and flowers. Purple velvet ribbon, also embroidered with herringbone stitch, overlays the squares. The padding is a fluffy cotton and the backing is a thin cotton.
1900 x 1800mm
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
Patchwork cot quilt made from hexagon patches in cotton, linen, silk and wool. Checks, stripes, spots, florals and plain are used, in a mix of bright and pastel colours. Backing is of dark brown cotton with an edge of hexagon patches on each long side. No padding. Hand sewn.
1296 x 839mm
Jean East
Doll's quilt of crazy patchwork of cotton fabrics including handkerchiefs, mainly in checks and stripes, in pinks, yellow, blues and black, stitched to a cotton backing with herringbone stitch in embroidery thread in brown, light brown, and white..
327 x 320mm

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