Quilts

The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
National Trust of Australia (SA)
Patchwork quilt of hexagons in silks and velvet, the velvet in plain colours, the silk in plains, stripes, checks and brocades. Centre is made from red brocade hexagons with black silk patches embroided with a variety of flowers and leaves. Stitched to a red velvet border, then top and bottom have Australian motif of crossed wattle branches embroidered in bobble stitch, and on the sides embroidered red flowers. The rest of the quilt is made of hexagons, the edge stitched to a brown silk border, then a border of triangles and a striped edging. Surface embroidery. Crepe backing. Some newspaper templates remain.
2260 x 1720mm
Wholecloth quilt of red and green striped cotton cretonne. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1580 x 1130mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
Wholecloth quilt made from dusty pink brocade with an all-over large leaf pattern. It is all hand stitched with quilting of parallel lines forming the border. Both sides are the same material. The padding is cotton wool.
2060 x 1770mm
Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
Norma Gilchrist
Cotton quilt with overall pattern of hexagons joined to make 'flowers'. Brown paper templates were used. All hexagons are hand stitched including on to the blue border which was then machined on to the same blue headcloth backing. The materials used were mainly scraps, including some from an aunt of the present owner, and are in a wide variety of patterns and colours. There is no quilting.
2110 x 1700mm
Patterned cover for a 'night and day' type bed or lounge. White background with a pattern of swirling stripes, squares and leaf motifs in orange, pale blue, pale green and fawn.There is a deep ruffle on 2 sides. The backing is cotton.
2400 x 2000mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
National Museum of Australia
Handsewn patchwork quilt in a mosaic pattern of squares and pentagons. Patches are in very bright coloured print and plain cottons, with 'filler' squares of beige cotton. Quilt is machine stitched to a backing of apricot cotton. There is no padding.
2980 x 1655mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Patchwork cover made of fine pieces of coloured patterned silks with plain black silks, cut into diamond shapes and sewn together to create the block pattern. No padding or backing.
1625 x 1371mm
"This is a pieced patchwork quilt comprised of 216 squares. Each square is comprised of 10 diagonal strips that have been joined by being attached to a backing. White cotton plain weave fabric has been used in all the pieces. The quilt is not lined, but the edge is decorated with a fine cotton frill, 15cm deep. The frill carries two 4mm tucks and is edged with 2 cm lace trim. All sewing on the quilt is by machine. The quilt is not padded." [NGA]
2420 x 1690mm
Quilted wholecloth cover of pink cotton material with a floral design. Quilted squares create the centrepiece surrounded by a border of three rows of quilting. It has piped edges.
The padding is feathers.
1700 x 1350mm
Cotton suffolk puff quilt. Puffs are in printed and plain fabrics and 4 puffs of the same colour/pattern are placed together.
2413 x 2363mm
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.

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