Quilts

"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Tailors' samples quilt. Random sized rectangles joined in rows. There is a 3cm wide pleated frill of navy woollen material. The padding (synthetic) and the backing (green and white striped cotton) are recent. 1900 x 1850mm.
National Trust of Australia (SA)
Patchwork quilt of hexagons in silks and velvet, the velvet in plain colours, the silk in plains, stripes, checks and brocades. Centre is made from red brocade hexagons with black silk patches embroided with a variety of flowers and leaves. Stitched to a red velvet border, then top and bottom have Australian motif of crossed wattle branches embroidered in bobble stitch, and on the sides embroidered red flowers. The rest of the quilt is made of hexagons, the edge stitched to a brown silk border, then a border of triangles and a striped edging. Surface embroidery. Crepe backing. Some newspaper templates remain.
2260 x 1720mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Patchwork quilt made of hexagonal patches of variously patterned cottion chintz. The fabrics are printed with floral, geometric and striped designs in brown, blue, pink and cream stitched together by hand in no fixed pattern. There is a cream cotton backing.
1940 x 1410mm
Julie Bos
All over pattern of cotton rectangles mainly in borders with the outer border grey cotton. There is no padding. The backing is wholecloth of pink and red printed cotton.
1200 x 1290mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
Hand sewn quilt in red and white cotton and some linen in a nine-patch variation, the pieced squares set edge to edge. The quilt is bound in red cotton, the binding approximately 2 cm deep. It is closely quilted in a wave pattern. The backing is white twill cotton and the padding is thin wool.
2193 x 1960mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
" This quilt is in the Suffolk puff tradition. The quilt consists of 1,518 white plain weave 'puffs'. Unlike some quilts where the puffs have been made from blue bags, here they are from circles of fabric with the edge turned with a gather stitch, which has been pulled and secured. The quilt is entirely hand sewn. The edge of the quilt is decorated with a 35cm band of crochet; producing a net with scalloped edge. The crochet is executed in a thick cotton thread." [NGA] There is no padding or lining. 3230 x 2120mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Patchwork quilt in Log Cabin pattern in print and plain [cottons], each patchwork square divided on the diagonal into two colours. When pieced together 4 half blocks form a large square in one colour. The log cabin blocks are sewn onto calico. The quilt is edged with a pleated frill in a pink and blue patterned fabric, and backed with a pink floral cretonne. The padding is blankets.
Norma Gilchrist
Cotton quilt with overall pattern of hexagons joined to make 'flowers'. Brown paper templates were used. All hexagons are hand stitched including on to the blue border which was then machined on to the same blue headcloth backing. The materials used were mainly scraps, including some from an aunt of the present owner, and are in a wide variety of patterns and colours. There is no quilting.
2110 x 1700mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm

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