Quilts

" This quilt is in the Suffolk puff tradition. The quilt consists of 1,518 white plain weave 'puffs'. Unlike some quilts where the puffs have been made from blue bags, here they are from circles of fabric with the edge turned with a gather stitch, which has been pulled and secured. The quilt is entirely hand sewn. The edge of the quilt is decorated with a 35cm band of crochet; producing a net with scalloped edge. The crochet is executed in a thick cotton thread." [NGA] There is no padding or lining. 3230 x 2120mm
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
Crazy patchwork quilt in silks and velvets. Some patches with embroidered flowers, including wattle, worked in chenille thread. Machine quilting. There is a border of velvet. The backing is silk and has an envelope opening edged with silk cord. There is no padding. There is a matching nightgown sachet.
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
Patchwork quilt in Log Cabin pattern in print and plain [cottons], each patchwork square divided on the diagonal into two colours. When pieced together 4 half blocks form a large square in one colour. The log cabin blocks are sewn onto calico. The quilt is edged with a pleated frill in a pink and blue patterned fabric, and backed with a pink floral cretonne. The padding is blankets.
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
Patchwork quilt of diamond shapes in cotton fabrics. Patterns include florals, spots and stripes, and colours are navy, red, pink and grey. No padding. Backing is of strips of cotton in pinks and fawns sewn together.
2236 x 1931mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
Quilt made from suitings and cloth patchwork, hand stitched with blanket insert and pieces of knitting from garments.
1900 x 1190mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side. 1500 from back of neck to hem 1600 measuring around to just below the shoulders
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Norma Gilchrist
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Helen Sparkman
Patchwork quilt made of hexagon patches from satin scraps. Hexagons are in solid colours and joined to make rosettes. Hand sewn.
1800 x 1025mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Hand and machine pieced top and back using irregular pieces of men's hand and machine knitted jumpers and navy serge. The backing is mainly serge, part of an uncle's bus conductor's uniform. The pockets from the uniform have been left as is. There is no padding.
1850 x 970mm

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