Quilts

Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Pieced hand sewn quilt of hexagons. All cotton. 4 Hexagons make up a diamond. Materials are scraps from family clothing. The background is caramel poplin and the backing is cream sheeting. The quilt is signed on the back (in satin stitch) "Isabel C.D.Portus 1974" and "Jean C.D.Portus 1976".
2580 x 1950mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Unfinished, hand stitched, polychromatic patchwork quilt in a tumbling block design. Constructed from silk fabrics and stitched with cotton yarns. Although crumpled and torn, the original paper squares are still in the back of the patchwork pieces. There is no padding. 1300 x 1300mm.
Norma Gilchrist
Cotton quilt with overall pattern of hexagons joined to make 'flowers'. Brown paper templates were used. All hexagons are hand stitched including on to the blue border which was then machined on to the same blue headcloth backing. The materials used were mainly scraps, including some from an aunt of the present owner, and are in a wide variety of patterns and colours. There is no quilting.
2110 x 1700mm
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Patricia Galbraith
Fur fabric quilt made from scraps cut into squares and put together randomly. Colous are black, several greys, browns and some blacks and dark greys are astrakhan. There is no padding and the backing is a grey cotton bush blanket. The quilt is tied with buttons and wool.
1753 x 1251mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from deep pink and white cotton fabrics, with two borders, of pink then white, and bound with the dark pink. Cotton backing. Filling unknown. White squares appear to be outline quilted, white blocks between the chains have an intricate quilted star pattern, and the two borders are quilted with a single cable.
2500 x 2110mm
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Margaret-Anne M Thomas
Multi coloured square cotton pieces used to form a 'postage stamp' pattern. The squares are 25mm and the quilt is hand pieced and hand quilted. There is a thin edge of brown on all sides. There is no padding and the backing is joined pieces of floral cotton.
2330 x 2130mm
Possum skin cloak. The possum skins are sewn together with vegetable fibre or kangaroo sinew. Designs are incised into the skins, some of which are decorated with ochres. 2720 x 2100mm
Cotton appliqué quilt in green and pink 'Rose of Sharon' design, against a white background. Finely quilted with feathers between flowers and feathers on the border, with some cross hatching. Padding is cotton, and backing is white cotton. 2250 x 1700 mm.
Patchwork quilt made from hexagon patches, cut from cotton scraps, in the 'Grandmother's Flower Garden' design. Hand sewn. No padding. Backing is cotton sheeting.
2100 x 1400mm
Double bed sized quilt with a top of random shapes in a random design, bordered with plain brown cotton. The padding is two quilts.
2100 x 180omm (approx)
"This unusual quilt is comprised of bands of horticultural show ribbons machined onto a blue lining. The ribbons are royal blue in colour and printed in gold/bronze with two inscriptions.
KYOGLE P.A & H SOCIETY and TWEED RIVER AGRICULTURAL SOCIETY
The quilt has been formed so the two inscriptions alternate down the face of the quilt. The ribbons appear to be of rayon. White cotton machine thread was used in the construction. Accompanying the quilt is a carry bag; a rectangular bag made of the same show ribbons as the quilt with a single drawstring at the top." [NGA] The quilt is not padded. 1833 x 1410mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm

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